Topkapi (1964)

A conman gets mixed up with a group of thieves who plan to rob an Istanbul museum to retrieve a jeweled dagger.

Director:

Jules Dassin

Writers:

Monja Danischewsky (screenplay), Eric Ambler (based on the novel "The Light of Day")

Stars:

Melina Mercouri, Peter Ustinov, Maximilian Schell

Won 1 Oscar. Another 3 wins & 4 nominations.

Cast

Complete credited cast:
Melina Mercouri	...	Elizabeth Lipp
Peter Ustinov	...	Arthur Simon Simpson
Maximilian Schell	...	Walter Harper
Robert Morley	...	Cedric Page
Jess Hahn	...	Hans Fisher
Gilles Ségal	...	Giulio the Human Fly
Akim Tamiroff	...	Gerven - the Cook
Titos Vandis	...	Harback (as Titos Wandis)
Ege Ernart	...	Maj. Ali Tufan
Senih Orkan	...	First Shadow
Ahmet Danyal Topatan	...	Second Shadow
Joe Dassin	...	Josef (as Joseph Dassin)
Despo Diamantidou	...	Voula

Storyline

A small-time con-man with passport problems gets mixed up with a gang of world-class jewelry thieves plotting to rob the Topkapi museum in Istanbul. Turkish intelligence, suspecting arms smuggling, gets involved, and under pressure the con-man rises to heights he'd never dreamed of.

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Plot Keywords:

heist | museum | art museum | turkey the country | caper comedy | 

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Taglines:

It's for Thursday, darling, in Istanbul...we've got a leather vest, a surgeon's lamp, a suction cup and a boy-scout knot, also a mastermind, an electronics genius - and a schmo. Come on - you're cut in on the theft of the century!

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Genres:

Adventure | Comedy | Crime | Thriller

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Certificate:

Unrated

Details

Official Sites:

MGM

Country:

USA

Language:

English French Turkish German Greek Italian

Release Date:

2 September 1964 (France)

Also Known As:

A Topkapi kincse

Filming Locations:

Turkey

Box Office

Gross USA:

$7,000,000, 31 December 1964

Company Credits

Production Co:

Filmways Pictures

Technical Specs

Runtime:

120 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Peter Ustinov's Best Supporting Actor Oscar win was this film's only Oscar nomination.

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Goofs

When the agent (in glasses) is marking a photograph with red texter, several extra lines appear on the photograph without him having drawn them.

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Quotes

[first lines]
Elizabeth Lipp: It can be done! That's the way it can be done! Aaah... oh, excuse me; I've just had a great idea - something I've been looking for a long time... a very long time.

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Crazy Credits

At the beginning, the title and the technical credits are shown, but no credit is given to the actors or to the producer-director. However, at the end, (spoiler) we suddenly see the words "There they go again!", and all of the leading actors appear in a snowbound setting, together with their names. Then the names of all of the other actors, together with the name of the producer-director, appear on the screen.

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Connections

Referenced in Zong heng si hai (1991)

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Soundtracks

The Stars and Stripes Forever
(uncredited) (1896)
Written by John Philip Sousa
Played when Elizabeth steps on Cedric's mock-up of the security platform

User Reviews

Candy-colored heist flick...amusing, even if dissatisfaction clouds the final returns

Jules Dassin's film version of Eric Ambler's book "The Light of Day" seems more like a light-hearted variation of his French heist-drama "Rififi" from 1955. A glamorous Greek thief and her Swiss lover concoct an ingenious plan to rob an emerald-studded dagger from the Topkapi Museum in Istanbul with help from a disparate group of wily characters. Peter Ustinov (wonderful) received the Supporting Actor Oscar as a British con-artist in Turkey who is initially recruited by Turkish security to keep an eye on this raffish team. The picture works mostly on a visual level, with a bravura use of color coupled with spiky editing to propel the story. If only the screenplay had been wittier, Dassin and company might have turned out a masterpiece of the genre. The movie simply isn't as sharp or funny as one might hope. The heist sequence is breathlessly intricate, and the sardonic finale is also a dandy...and yet there is a puzzling feeling of dissatisfaction which hangs over the end results. **1/2 from ****