In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly ...
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One of the first of the Nudies to gain wide-spread showing in the U.S., although still relegated mostly to the grind houses or, in some situations, long-time schlock distributor Kroger Babb... See full summary »
At a Mexican ranch, fugitive O'Malley and pursuing Sheriff Stribling agree to help rancher Breckenridge drive his herd into Texas where Stribling could legally arrest O'Malley, but Breckenridge's wife complicates things.
An aging heir-less millionaire wants to leave his fortune to the unsuspecting family of his first love but not before testing his prospective heirs by living with them under the guise of a poor boarder.
A pardoned stagecoach robber, becomes government agent and marries a naive unsuspecting east-coast dentist in order to join a wagon train and catch the smugglers who have been selling guns to the Indians.
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them seven years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he's married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?Written by
Daniel Bubbeo <firstname.lastname@example.org>
Well you know the mentality of that Board, they're hooked on the idea of corporate image; solid American gentry, family respectability. For their top executives there are not Ten Commandments, only one: thou shalt be married - happily and respectably married...
...Whether you like it or not
Well I've done just fine, these past seven years, happily and respectably, separated. And I've loved every minute of it
Yeah, well, that's all gonna change. From now on you're going to have a ...
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Witless farce from the usually-estimable comedy writer Melvin Frank, who also produced and directed, stars Rock Hudson as an American oil company executive in London, married but estranged from fiery Gina Lollobrigida for the past seven years, who must present a happily-united front for the company's general (why? so it'll "look good"). When Rock first meets Gina, she's an artist painting protest slogans on signs and walls--but the movie is so bashful, her signs are always half-finished so we won't know what she's protesting against. They marry immediately (presumably so they can have sex without guilt), but the next morning find they have nothing in common. Frank, who co-authored the screenplay with Michael Pertwee from a rather old-fashioned story he originated with Norman Panama, substitutes shouting for snap--and Lollobrigida does must of the shouting. Hudson tries to keep up with her, but his colorless brand of acting assures that he'll blend in with the furniture and nothing more. Atrociously shot by cinematographer Leo Tover, with the phony backdrops and scrappy rear-projection upstaging even Gina Lollobrigida in a variety of 'kooky' outfits. * from ****
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