When a group of isolated people in the Greek mountains set off a cave explosion, they are menaced by an invisible shrieking dinosaur that had been buried for eons.
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Title: Sound of Horror (1966)
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Cast
| Cast overview: | |||
 |
James Philbrook | ... | Dr. Pete Asilov |
| Arturo Fernández | ... | Pete | |
| Soledad Miranda | ... | Maria | |
| José Bódalo | ... | Mr. Dorman | |
| Ingrid Pitt | ... | Sofia Minelli | |
| Lola Gaos | ... | Calliope | |
|
|
Francisco Piquer | ... | Stravos |
| Antonio Casas | ... | Andre | |
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Plot Summary
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Add Synopsis
Storyline
When a group of isolated people in the Greek mountains set off a cave explosion, they are menaced by an invisible shrieking dinosaur that had been buried for eons. Written by Jeremy Lunt <durlinlunt@acadia.net>
Taglines:
Shake and quake with SOUNDS OF HORROR See more »Genres:
HorrorCertificate:
UnratedParents Guide:
Add content advisory for parents »
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See full technical specs »
Details
Country:
SpainLanguage:
SpanishRelease Date:
October 1966 (USA) See more »Also Known As:
Sound of Horror See more »Filming Locations:
Samuel Bronston Studios, Madrid, SpainCompany Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
| (English dubbed)Sound Mix:
MonoColor:
Black and WhiteAspect Ratio:
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With this type of film there always seems to be a sentimental this-scared-me-as-a-kid review. And I supposed this one is no exception. I saw it once on TV as a kid. It scared me. I've never forgotten it. And I never saw it again until recently when I picked it up as a discount DVD.
As others have said this is a very low budget effort from Spain that employs a cheap gimmick to scare it's audience. It's monster is not seen, only heard. And what is heard is a particularly creepy series of sounds.
But the problem for the film's detractors is that this gimmick seems to work.
Like the famous swimming pool scene in the superior Cat People, it tricks the audience into imagining something more horrible than what could be shown.
The movie's greatest asset is that it's director seems to know how to scare his audience. For instance there are long, sustained shots in which very little happens. But this serves to create tension, causing us to wonder, "What is coming next?"
In watching it again, I kept thinking how well this would have worked as a radio play. The way it uses only sound and narrative to frighten the audience, it reminded me of Wyllis Cooper's classic The Thing on the Fourble Board.
For those who need vivid color, big stars and intrusive CGI effects, let them rent Anaconda.
And for those who have trouble suspending disbelief over the film's gimmick: Who's to say there weren't any invisible dinosaurs? How would we know?