Hickok rode Buckshot and 300-pound Jingles rode Joker. Jingles described Hickok as "the bravest, Strongest, fightingest U.S. Marshal in the whole West." And that's about it: he beat up all the bad guys and somehow kept his good looks.
The Red Devils, a professional ice hockey team, owned by Jack Monohan (Steve Brodie), is in the midst of a long losing streak, due to bribes being accepted from gamblers by the star player.... See full summary »
An unpopular U.S. President manages to get a nuclear disarmament treaty through the Senate, but finds that the nation is turning against him. Jiggs Casey, a Marine Colonel, finds evidence that General Scott, the wildly popular head of the Joint Chiefs and certain Presidential Candidate in 2 years is not planning to wait. Casey goes to the president with the information and a web of intrigue begins with each side unsure of who can be trusted.Written by
John Vogel <firstname.lastname@example.org>
Second of Frankenheimer's "paranoid" trilogy after The Manchurian Candidate and before Seconds. See more »
When the President walks into his bedroom, the camera pulls back and its shadow is seen on the wall to the left. See more »
[a terse note refers to "Site Y"]
That could easily mean another place. These military games... why, the multiplicity of our secret bases confuses ourselves more than the Soviets.
See more »
Perhaps one of the most genuinely suspenseful films every made, this paranoic film should be seen in conjunction with its natural brethren, "The Parallax View" and "The Manchurian Candidate" (which is also directed by John Frankenheimer).
The film's strength lies in a group of superb performance -- Burt Lancaster as the ramrod-stiff and egomaniacal general bent on saving the United States by planning the overthrow of the government; Kirk Douglas as his senior staff officer, who only gradually realizes what his boss is planning and just how dangerous he is; Fredric March as the world-weary President; and especially Edmond O'Brien as the souse of a Senator who, like March, demonstrates the kind of ingenuity and resolve that Lancaster and his co-conspirators assume they don't possess. These performers, as well as a splendid supporting cast, make Rod Serling's sometimes preachy dialogue seem completely real, and some of the scenes -- notably the final face-off between March and Lancaster -- seem on the verge of exploding.
Frankenheimer's low-key direction feeds this tension, by allowing the dialogue and the situations do the work. Would-be filmmakers looking to specialize in thrillers should probably spend more time watching films like this than modern-day "thrillers" like "Enemy of the State" or "Conspiracy Theory" which rely more on violence than actual dramatic tension.
8 of 9 people found this review helpful.
Was this review helpful to you?
| Report this