American couple Janet and Mike move to England for his business. She soon becomes paranoid that he is having an affair with his attractive secretary, and decides to get back at him by pretending she herself has been unfaithful.
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man's diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn't tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he's not dying at all (while he doesn't) and she believes it's just a lame excuse to hide an affair, so she decides to leave him.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
When the milkman brings the daily goods and delivers them to Doris Day, he mentions "Honey; organic". This would seem to be stating the obvious since honey can only be organic as any attempted field modifications generally kills the bees. Additionally this phrase seems to stand out due to the popularity of the phrase "organic foods" still being some 30 years away. It is believed the correct interpretation of the organic honey statement is meant to differentiate it from the "fake" honey made with sugars, etc., stemming from the World War II rationing programs, and still produced in the early sixties amongst some food manufactures. See more »
The level of the sand in the toy truck that Arnold is filling. See more »
The main character is dying, but not the movie! It shall live forever. This is one of five golden, grown-up comedy classics Doris Day starred in, the others being "Teacher's Pet", "Pillow Talk", "That Touch of Mink" and "Lover Come Back". Of course, Hollywood never gives an Oscar for comedy. Drama is deemed deep! Nothing is deeper than comedy. Actually, drama is often unintentional comedy.
The critics disliked the movie because the subject is grim: terminal illness, or fear thereof. But if you take that attitude, nothing at all is funny. Actually, death is just the theme around which a lot of variations about modern life are spun. This film is masterful in every respect, a real treat. Paul Lynde is priceless as the effeminate undertaker. Doris Day is a miracle. Even the theme song is a thrill. Oh, why did we stop making these clean, domestic movies dealing with practical issues and everyday life?
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