Retired Old West gunslinger William Munny (Clint Eastwood) reluctantly takes on one last job, with the help of his old partner Ned Logan (Morgan Freeman) and a young man, The "Schofield Kid" (Jaimz Woolvett).
When a madman calling himself "the Scorpio Killer" menaces the city, tough as nails San Francisco Police Inspector "Dirty" Harry Callahan is assigned to track down and ferret out the crazed psychopath.
An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojos. Instead of fleeing or dying, as most others would do, the man schemes to play the two sides off against each other, getting rich in the bargain.Written by
Andrew Hyatt <firstname.lastname@example.org>
The action before, during, and after the graveyard fight alternates between taking place during the day and night. The Rojos leave in pitch darkness, cut together with scenes of the Baxters riding out in cloudy daylight. The fight takes place during the day while Joe sneaks into the Rojo house at night. When the Rojos return home, it's night again. See more »
When a man's got money in his pocket he begins to appreciate peace.
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The original British theatrical release had about 4 minutes cut by the BBFC. Many closeup shots of bloodied faces and bodies (including the body of Chico) were removed, as well as a shot of Ramon dripping blood from his mouth. The main cuts however were to the beating up of Eastwood, which lost a hand stomping scene, and extensive cuts to the assault on the Baxters house which was cut to shorten the overall sequence by removing all shots of men on fire and the shooting of Consuela Baxter (the cut version removes the shot of her falling backwards). The 1999 MGM video and DVD releases are fully uncut and the same as the USA DVD release. See more »
Clint Eastwood was best known to American audiences for his role as Rowdy Yates in the series Rawhide. The series had ended and he was offered this strange new and challenging role in this movie of the American West that was made in Italy! Eastwood said his wife read that script and liked it. She said it was really "wild" because it was written in Western "slang" by Italians who really didn't understand English. He did this picture almost as a lark, and then read that it had become one of the biggest hits in Europe and then when it was released in America it outgrossed even the most popular current American films and made Clint Eastwood both a star and a phenomenon. Its strange to me that the best films ever made about the American west should have been made by Sergio Leone, an Italian who couldn't even speak English. Clint Eastwood said that all he knew in Italian was "arrevadershi" and all Leone knew in English was "goodbye" and yet these two combined to make an awesome film. As the poncho clad "Man With No Name", Eastwood created a role that hit us like a punch in the face and really re-defined the definition of the true Western hero. Eastwood tore out pages and pages of the dialogue and reduced his character to the bare bones to make him more mysterious. Leone said that he clad Eastwood in that sweat stained serepe to give him a cloak of mystery and put the cheroot in his mouth as a pendant between his two cold eyes and it worked like a charm. He broke all the rules and re-defined screen violence. I read that Leone wanted to make a blood and guts Western and show to the audience "I want them to feel what the hell it is like to get shot" and he does it! The scene where Clint is beaten to a pulp is one of the most graphic that you will ever see. It would have killed most other men!
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