An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojo's. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off each other, getting rich in the bargain.Written by
Andrew Hyatt <firstname.lastname@example.org>
During the ambush of the 60-some soldiers, there are no bullets hitting either bodies, the sand, or in the background, and not one drop of blood is spotted, although the soldiers are acting like they are hit, there is not one bullet hole among them. See more »
[He's hiding in an empty coffin outside the coffin-maker's shop]
I can't see anybody.
[Goes over to a coffin on a wagon; Joe is inside]
Dios mio!... What are you doing in there?
Never mind. Get me out of here.
But, you're not dead yet.
I will be, if you don't get me out of here, quick. Get that lid down!
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"Yojimbo" Revisited - The Beginning of the Spaghetti Westerns
A drifter gunman (Clint Eastwood) arrives in the Mexican village of San Miguel in the border of United States of America, and befriends the owner of the local bar Silvanito (Jose Calvo). The stranger discovers that the town is dominated by two gangster lords: John Baxter (W. Lukschy) and the cruel Ramón Rojo (Gian Maria Volontè a.k.a. John Wells). When the stranger kills four men of the Baxter's gang, he is hired by Ramón's brother Esteban Rojo (S. Rupp) to join their gang. However, the stranger plots a scheme working for both sides and playing one side against the other.
"Per un Pugno di Dollari" is a milestone in the history of the cinema, since the genre of "Spaghetti Westerns" didn't really exist previous to this movie. Sergio Leone used the storyline of Akira Kurosawa's "Yojimbo", replacing the samurai without a master ("ronin") Sanjuro Kuwabatake performed by Toshirô Mifune and the scenario of the rural Japanese town in Nineteenth Century by the stranger without a name (Clint Eastwood) and a small Mexican town in the border of the Wild and Far West. The result is a magnificent and remarkable movie, and beginning of the trilogy of Clint Eastwood's character Joe, who proves that "a man with a rifle beats a man with .45", completed by "Per Qualche Dollaro in Più" and "Il Buono, il Brutto, il Cattivo", . My vote is eight.
Title (Brazil): "Por um Punhado de Dólares" ("For a Fistful of Dollars")
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