An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojo's. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off each other, getting rich in the bargain.Written by
Andrew Hyatt <email@example.com>
When Joe and the Shop Keeper see the soldiers leaving town in the morning, the Shop Keeper is getting dressed and leaves his pants unbuttoned and shirt askew from center. Then the next scene in the same room his pants are completely button and his shirt opening is centered and buttoned up. See more »
The first of Sergio Leone's "spaghetti westerns" is now overshadowed by its superior successors, but remains an exciting introduction to this peculiar genre. Clint Eastwood redefined the notion of a hero in this film, a man who seems to operate by a code but doesn't feel the need to explain it. Although the U.S. advertising campaign billed Eastwood's character as "The Man With No Name," a name is one thing he does have - Joe - but almost everything else about him is a mystery except for his deadly proficiency with a gun. Leone's style would be more pronounced in later films, but this one provided the template. Eastwood is superb, of course, as is Gian Maria Volante (billed as Johnny Wells) as his deadly opponent, Ramon Rojo. If it's slow moving at times, the music of Ennio Morricone always takes up the slack.
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