Retired Old West gunslinger William Munny (Clint Eastwood) reluctantly takes on one last job, with the help of his old partner Ned Logan (Morgan Freeman) and a young man, The "Schofield Kid" (Jaimz Woolvett).
When a madman calling himself "the Scorpio Killer" menaces the city, tough as nails San Francisco Police Inspector "Dirty" Harry Callahan is assigned to track down and ferret out the crazed psychopath.
Nun Sara (Shirley MacLaine) is on the run in Mexico and is saved from cowboys by Hogan (Clint Eastwood), who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojos. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off of each other, getting rich in the bargain.Written by
Andrew Hyatt <firstname.lastname@example.org>
When Clint Eastwood arrived on the set, he was struck by how little the Italian crew and writers knew about the American West they were filming about. For example, he had to point out that coonskin caps were worn by frontiersmen and trappers in the Davy Crockett era, circa the 1820s, not by gunfighters and townsmen in the American West and Mexico of the 1870s, as the scriptwriters had written. See more »
When the Rojo gang ambush the Mexican army unit the gun Ramon uses to kill all the troops is a Mitrailleuse volley gun. Each barrel had to be laboriously loaded by hand before all barrels were fired together in a single volley. However, the film shows the volley gun being used as a form of machine gun. The only machine gun around at the time was the hand-cranked Gatling gun which the soundtrack also seems to depict. See more »
[He's hiding in an empty coffin outside the coffin-maker's shop]
I can't see anybody.
[Goes over to a coffin on a wagon; Joe is inside]
Dios mio!... What are you doing in there?
Never mind. Get me out of here.
But, you're not dead yet.
I will be, if you don't get me out of here, quick. Get that lid down!
See more »
When the film first aired on American TV (ABC) in August 1977, a network executive ordered the creation of a new prologue (directed by Monte Hellman) to give a moral justification for the lead character's killings: a prison warden (Harry Dean Stanton) commutes "The Man With No Name's" sentence if he goes to San Miguel and restores order to the town. Neither Eastwood or Leone participated in this new sequence ("The Man With No Name" is seen only from the rear), and this distortion of Leone's creative vision has reportedly been dropped from subsequent presentations. This prologue can be found on the Special Edition DVD and later Blu-Ray release along with an interview with Harry Dean Stanton about its making and sourcing from a Betamax copy of the ABC American TV broadcast. See more »
'A Fistful of Dollars' is the first from Sergio Leone's trilogy about "The Man with No Name". The other two movies are 'For a Few Dollars More' and the famous 'The Good, the Bad and the Ugly'. Although 'The Good, the Bad and the Ugly' is considered the best this one comes pretty close. It is a remake of Akira Kurosawa's 'Yojimbo' and it comes also pretty close to that movie. It was also the first real Spaghetti Western.
Clint Eastwood is "The Man with No Name" who comes to a small town where two families run the place. Both families hate each other and he thinks he can make a lot of money with playing both parties against each other. This is basically the main story. There are some sub-plots, one of them involves Marisol (Marianne Koch) who is taken by a leader of one of the families. Her husband and child still live in the town.
For me it was not the story that made this movie interesting. It was the whole atmosphere. I like all Leone's westerns for that reason. Of course some are better than others, but they are never boring. The way we see Eastwood kill four man early in the movie is simply spectacular.
This no 'Once Upon a Time in the West' or even 'The Good, the Bad and the Ugly' but we have the same atmosphere, the same kind of score by Ennio Morricone and a Clint Eastwood at the beginning of a great career.
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