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The Umbrellas of Cherbourg (1964)

Les parapluies de Cherbourg (original title)
Not Rated | | Drama, Musical, Romance | 16 December 1964 (USA)
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1:53 | Trailer

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A young woman separated from her lover by war faces a life-altering decision.

Director:

Jacques Demy

Writer:

Jacques Demy (scenario and dialogue)
Nominated for 5 Oscars. Another 5 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Catherine Deneuve ... Geneviève Emery
Nino Castelnuovo ... Guy Foucher
Anne Vernon ... Madame Emery
Marc Michel ... Roland Cassard
Ellen Farner Ellen Farner ... Madeleine
Mireille Perrey ... Tante Élise
Jean Champion Jean Champion ... Aubin (as J. Champion)
Pierre Caden Pierre Caden ... Bernard (as P. Caden)
Jean-Pierre Dorat Jean-Pierre Dorat ... Jean (as J.P. Dorat)
Bernard Fradet Bernard Fradet ... Gas Station Apprentice (as B. Fradet)
Michel Benoist Michel Benoist ... Umbrella Buyer (as M. Benoist)
Philippe Dumat Philippe Dumat ... Garage Customer in 1957 (as P. Dumat)
Dorothée Blanck Dorothée Blanck ... Girl in Cafe (as D. Blank)
Jane Carat Jane Carat ... Ginny (as J. Carat)
Harald Wolff Harald Wolff ... Monsieur Dubourg
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Storyline

The lives of Geneviève Emery and Guy Foucher of Cherbourg, France are presented in four acts. Act 1 begins in November 1957, when 16-year-old Geneviève, who works in her widowed mother's umbrella shop called "Les parapluies de Cherbourg", and 20-year-old Guy, who works as a mechanic at a gas station, are madly in love and want to get married. They are reluctant to tell anyone not only of their want to get married, but of their relationship. Geneviève believes her mother will think her too young and would want her to marry someone with better prospects, especially considering her own tenuous financial situation. And Guy is more concerned now about not abandoning his ailing godmother, Aunt Élise, who raised him, and who he looks after along with a young woman named Madeleine. Act 2, told largely from Geneviève's perspective, begins in February 1958. Guy, drafted to fight for the French in Algeria, has been gone for two months, and is expected to be gone for two years. Geneviève rarely ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

In Song and Color See more »

Genres:

Drama | Musical | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | West Germany

Language:

French | English

Release Date:

16 December 1964 (USA) See more »

Also Known As:

The Umbrellas of Cherbourg See more »

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Box Office

Opening Weekend USA:

$18,425, 16 February 2004, Limited Release

Gross USA:

$18,425, 16 February 2004
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR (restored version) (1992)| Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

All the dialogue in the film is sung. See more »

Goofs

The young couple go to the theater to see the opera Carmen. The sound track that is used in this scene is not from Carmen, but is just some stock sound track that sounds vaguely operatic. See more »

Quotes

Madame Emery: Do you know exactly what you'd like?
Umbrella Buyer: An umbrella. A black umbrella.
Madame Emery: Geneviève, show the gentleman the umbrellas.
See more »

Connections

Referenced in Cinemania (2002) See more »

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User Reviews

 
If cotton candy were a movie...
14 June 2006 | by RathkoSee all my reviews

A very French, very idiosyncratic musical that while lacking any discernible 'songs' or dance routines manages to be one of the most affecting musicals ever written. Remy says he was inspired by American musicals, and yet a more non-American could hardly be imagined. Can we really pretend that an American studio in 1963 would endorse the story of pre-marital sex and the romance of marrying a 17-year old girl pregnant with another man's child and not feel the need to moralize or condemn? Only in France, and thank God for it. All the cast are brilliant - charming and charismatic; the production design looks like a psychedelic gingerbread house; the score is exceptional; the singing genuinely heart-felt and moving; and the whole thing is carried off with such effortless confidence and unreserved joy that it's impossible not to fall in love with it.


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