Onibaba (1964)

Two women kill samurai and sell their belongings for a living. While one of them is having an affair with their neighbor, the other woman meets a mysterious samurai wearing a bizarre mask.

Director:

Kaneto Shindô

Writer:

Kaneto Shindô

Stars:

Nobuko Otowa, Jitsuko Yoshimura, Kei Satô

2 wins.

Cast

Cast overview:
Nobuko Otowa	...	Kichi's Mother
Jitsuko Yoshimura	...	Kichi's Wife
Kei Satô	...	Hachi
Jûkichi Uno	...	Samurai General
Taiji Tonoyama	...	Ushi
Someshô Matsumoto	...	Runaway Warrior A
Kentarô Kaji	...	Runaway Warrior B
Hosui Araya	...	Ushi's Follower
Fudeko Tanaka	...	Old Woman
Michinori Yoshida	...	Samurai with Blood
Hiroyoshi Yamaguchi	...	Horse Riding Samurai A
Hiroshi Tanaka	...	Horse Riding Samurai B
Kanzô Uni	...	Horse Riding Samurai C
Nobuko Shimakage	...	Child

Storyline

In the Fourteenth Century, during a civil war in Japan, a middle-aged woman and her daughter-in-law survive in a hut in a field of reed killing warriors and soldiers to trade their possessions for food. When their neighbor Hachi defects from the war and returns home, they learn that their son and husband Kichi died while stealing supplies from farmers. Soon Hachi seduces the young widow and she sneaks out of her hut every night to have sex with him. When the older woman finds the affair of her daughter-in-law, she pleads with Hachi to leave the young woman with her since she would not be able to kill the warriors without her help. However, Hachi ignores her request and continues to meet the young woman. When a samurai wearing a demon mask stumbles upon the older woman at her hut asking her to guide him out of the field, she lures him and he falls in the pit where she drops the bodies of her victims. She climbs down the hole to take his possessions and his mask, and she finds he is a ...

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Plot Keywords:

mask | cemetery | grass | yard | female serial killer | 

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Taglines:

The most daring film import ever...from Japan!

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Genres:

Drama | Horror

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Certificate:

Not Rated

Details

Country:

Japan

Language:

Japanese

Release Date:

4 February 1965 (USA)

Also Known As:

Onibaba

Company Credits

Production Co:

Kindai Eiga Kyokai, Tokyo Eiga Co Ltd.

Technical Specs

Runtime:

103 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Onibaba's literal meaning is Demon Hag

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Quotes

Woman: I'm not a demon! I'm a human being!

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Alternate Versions

Originally cut in England when released in 1968, though the video releases are uncut.

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Connections

Referenced in Sleepy Hollow: Insatiable (2017)

User Reviews

Death comes from within the ocean of reeds

Onibaba is a supernatural horror film based on a Buddhist fable. It's about a couple of women in feudal Japan surviving the hardships of war by murdering and robbing stray samurais who wander unwittingly into their path. Their domain is a huge field of tall reeds with an ominous deep hole at its centre where they dispose of the unfortunate men they kill. Things are complicated when a male neighbour returns from the war and unleashes sexual tensions within the women which ends in horror. And that is to say nothing of the demon mask...

Onibaba is an artistically strong piece of cinema. From the outset the film is aurally intense, with repetitive beating drums announcing the beginning of the tale. The widescreen frame is consistently used brilliantly, with beautifully lit black and white photography. From the constantly swaying reeds to the close-ups of the protagonist's faces, the visuals capture the mysterious yet ominous beauty of the natural world, while emphasising the intense emotions of the protagonists. The setting ensures that the atmosphere is one of claustrophobia. In fact one of the themes of Onibaba is the way that the natural landscape can shape the way we are. The field of reeds allows the women to get close enough to kill warriors; it is one of the things that shapes them into killers, as it allows them to murder at will undetected. Similarly, the film is an allegory on capitalism. The war has forced these starving women to find their own way to survive the hardships all around them. They take extreme measures to feed the capitalist machine, as they murder and sell on that which they steal to a local low-life. Capitalism has dehumanised them and the black hole in the centre swallows up the victims. But aside from this, it is an intense human drama intertwined with eerie supernatural horror. The scenes near the end of the film with the demon in the reeds are beautifully creepy. While the horrific curse of the mask results in some scary and disorientating final scenes. In addition, there is a powerful depiction of female sexuality. These women are no shrinking violets. They are aggressive, amoral and deadly.

Onibaba is a film that is sumptuous both visually and aurally; yet its characters and story are devoid of beauty. It's one of the best examples of a horror art film.