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Gate of Flesh (1964)

Nikutai no mon (original title)
Not Rated | | Drama | 11 December 1964 (USA)
An injured thief on the run finds sanctuary within a brothel of united, ruthless women.


Seijun Suzuki


Taijirô Tamura (novel), Gorô Tanada (screenplay)

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Cast overview, first billed only:
Jô Shishido ... Shintaro Ibuki (as Joe Shishido)
Kôji Wada Kôji Wada ... Abe
Yumiko Nogawa Yumiko Nogawa ... Maya
Tomiko Ishii Tomiko Ishii ... Oroku
Kayo Matsuo Kayo Matsuo ... Omino
Kuniko Kawanishi Kuniko Kawanishi
Misako Tominaga Misako Tominaga ... Machiko
Isao Tamagawa Isao Tamagawa ... Horidome
Chico Roland Chico Roland ... Black Pastor
Eimei Esumi Eimei Esumi ... Sen
Hiroshi Chô Hiroshi Chô
Keisuke Noro Keisuke Noro ... Ishii
Mikiko Sakai Mikiko Sakai
Terue Shigemori Terue Shigemori
Kôji Yashiro Kôji Yashiro


After World War II, some Tokyo prostitutes band together with a strict code: no pimps, attack any street walker who comes into our territory, defend the abandoned building we call home, and punish whomever gives away sex (who falls in love). Maya, a young woman whose family has died, joins the group. Into the mix comes Shin, a thief who's killed a G.I. The women allow him to hide while recovering from wounds, but then he won't leave. Maya is drawn to him, discovering as she falls in love that she can feel again; she's now more fully human, but at the same time, she's endangered herself and her livelihood. Can she and Shin make it out of Tokyo to establish life as a couple? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Japanese Girls Who Bartered and Loved See more »




Not Rated | See all certifications »

Parents Guide:

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Japanese | English

Release Date:

11 December 1964 (USA) See more »

Also Known As:

Gate of Flesh See more »

Filming Locations:

Nikkatsu Studios, Tokyo, Japan

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:




Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


This film is part of the Criterion Collection, spine #298. See more »


A downward shot pans across a crowd following a stretcher. When straight down, you see the shadow of the camera, crane and the camera operator. See more »


Referenced in From the Ruins: Making 'Gate of Flesh' (2005) See more »

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User Reviews

Prostitution in vivid Seijun CinemaScope !!
15 December 2005 | by CelluloidRehabSee all my reviews

The story revolves around a female prostitution clan (Komasa of Kanto) and their newest arrivals, Maya and Shintaro (Jo "Cheek Implants" Shishido). It takes places in a shantytown located outside of a US military base, immediately after the end of WW2. They survive by selling their bodies and protecting each other, in other words : pimp-less. This is based on a novel by Taijiro Tamura.

We see the story from mostly Maya's perspective. When the story starts out she is a street urchin stealing food to survive. When she is caught by a local pimp and almost peddled to a couple of US servicemen, she inadvertently falls into the hands of the leader of the Komasa (the tattooed, Sen). From there the story revolves about the daily occurrences of street walking, finding food, laying about, singing and various methods of getting money, food and "johns" (lots of petty pickpocketing mostly).

The Komasa of Kanto are identified mostly by the color of their dresses than their names. It is funny to know that the color of the dresses in correspondence with the characters did not have any significant meaning (according to Seijun). The dressed adopted those colors because initially all the dresses and styles looked nearly identical. The colors were used (in typical anime fashion) to differentiate the characters. Mino - purple ; Roku - yellow ; Sen - red ; Maya - green ; Ofuku - white and Machiko - traditional kimono. The group have a few rules, but the most important is not to give up sex for free. We are subjected to the first incident of this with Ofuku. She is tied up, her hair is cut off and she is tied naked to a row boat and left in the harbor for all to see.

After Maya's arrival and adaptation, in comes Jo Shishido. He plays and ex Japanese soldier who goes around committing petty crimes and basically just trying to survive. His introduction is as the sole survivor of a failed raid on the military base supplies. He lives by a simple theory : eat, drink and have as much sex as you can. All the rest are pointless without these basic needs, so forget the higher ideals. He becomes part of Komasa when he stumbles into their "home" after he gets shot because he stabbed a US serviceman (who was involved in the theft at the base and "had it coming"). There is a brief power struggle between him and Sen, but his strength and power make for a natural leader. From then on, everyone defers to him. There also is an attraction for Shishido by both Sen and Maya and the entire groups tries to appease him.

There are elements of the baser and basic survival instincts of man. Those few things that try to elevate above it are crushed and extinguished. Seijun has some personal prejudices when it comes to this movie. He actually served in the Japanese army, stationed in the Phillipines. His military career started and ending with the Japanese retreating. At the time he still felt a bit angry at the US. This is represented in many fashions throughout the movie : the US GI rape of Maya, the MP's not caring, soup/ramen with a condom in it (merchant calls it healthy and nutritious food) and the appearance of the American flag. The flag is used every time something bad happens. It only has negative connotations, especially at the end where it is the last thing we see as the camera pans over the town. There also seems to be some mild capitalist vs communist debate going. At one instant one can hear the song of the international communist brotherhood being sung over all the dealings.

The movie is quite visually stunning. Takeo Kimura (the production designer) designed the sets. He was quite limited with funds. The movie need good sets but they were working with a B-movie budget. He used his theater background to create non-realistic surreal sets (theatre-like). They bring the movie (along with the costumes) to life. It gives the entire movie a theatrical feel. The bridge was even built with stolen used plywood from the props department. To make the paint go a long way, they would dilute the paint with water and add saw dust for thickening. This isn't a documentary. It is not suppose to emulate real life. It is an extreme look at life. Extreme characters in extreme circumstances. The movie also contains numerous scenes of nudity, female on female beatings, numerous sex scenes, plenty of violence and the butchering of a cow (which looks way too life-like). What more can one expect from the grandfather of the exploitation genre ?? I've seen numerous of Seijun's movies prior to this (the most recent being the Beast of Youth), but I was not expecting such a great movie. The Japanese cast and main actors do an excellent job. By the end you really care what happens to them. Seijun also included many American's in the cast as well, so expect to hear some English in the movie. I can't say enough about this movie. What are you still doing reading this, go out and see it for yourself.

-Celluloid Rehab

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