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The Night of the Iguana (1964)

Approved | | Drama | 6 August 1964 (USA)
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A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.

Director:

John Huston

Writers:

Tennessee Williams (play), Anthony Veiller (screenplay) | 1 more credit »
Reviews
Won 1 Oscar. Another 1 win & 13 nominations. See more awards »

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Cast

Complete credited cast:
Richard Burton ... Rev. Dr. T. Lawrence Shannon
Ava Gardner ... Maxine Faulk
Deborah Kerr ... Hannah Jelkes
Sue Lyon ... Charlotte Goodall
Skip Ward ... Hank Prosner (as James Ward)
Grayson Hall ... Judith Fellowes
Cyril Delevanti ... Nonno
Mary Boylan Mary Boylan ... Miss Peebles
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Storyline

The Rev. T. Lawrence Shannon has been living in Mexico for two years, working as a tourist guide for a cut-rate travel agency. Shannon lost his church and was defrocked after taking liberties with one of his parishioners. He's now accompanying a group of middle-aged ladies from Texas whose leader, Judith Fellowes, is keeping a close eye on her teenage ward, Charlotte Goodall, who definitely has an interest in the former priest. After Charlotte and Shannon spend the night together, Fellowes is out to have him fired and to keep her from communicating with his employer, Shannon strands them at a remote hotel run by his good friend Maxine Faulk. It's the arrival of Hannah Jelkes and her elderly grandfather that has the greatest impact however. Her approach to life and love forces Shannon to deal with his demons and re-evaluate his life. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Most Talked About Film of 1964! See more »

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

6 August 1964 (USA) See more »

Also Known As:

La noche de la iguana See more »

Filming Locations:

Mexico City, Mexico See more »

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Box Office

Budget:

$3,000,000 (estimated)

Cumulative Worldwide Gross:

$12,000,000, 31 January 1970
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Ava Gardner kept changing one of her lines in the film from "In a pig's eye, you are!" to "In a pig's ass, you are!", much to the delight of the rest of the cast and crew, including director John Huston. See more »

Goofs

The sign in front of the church reads "St. Jame's Episcopal Church". It should be Saint James' with the apostrophe after the s, not before it. See more »

Quotes

T. Lawrence Shannon: There's no need for the shawl. God has played God, and set him free.
See more »

Connections

Referenced in Notes from Under the Volcano (1984) See more »

Soundtracks

Flor De Azalea
Performed by Los Tres Guaramex with Lee Ramos (uncredited)
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Frequently Asked Questions

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User Reviews

 
Lively and enjoyable
28 May 2006 | by MOscarbradleySee all my reviews

John Huston brought his crackpot vitality to this screen version of a not terribly well-known Tennessee Williams play. On stage it was epigrammatic and full of William's faux poetry but on film it has a nice line of lewdness running through it. Before this film I don't think the cinema knew what to do with Richard Burton but here he's perfectly cast as a defrocked clergyman working as a tour guide in Mexico. There is a twinkle in his eye and he's good fun. Ava Gardner, too, is well cast as the blowsy hotel owner, (she plays the part like Ava Gardner gone to seed). Only Deborah Kerr is a bit of a bind in this one. She supplies the faux poetry as the genteel artist traveling with her ancient grandfather. (Margaret Leighton played the part on Broadway and won a Tony).

The rest of the largely female cast is made up of Sue Lyon as a slightly older Lolita type and Grayson Hall as an hysterical, thinly veiled lesbian, (it was 1964, after all). The superb black and white photography is by the great Mexican cameraman Gabriel Figueroa. It's a very 'opened-out' version of a play, not theatrical at all, and while lively, it never insults our intelligence.


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