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The Night of the Iguana (1964)

Approved | | Drama | 6 August 1964 (USA)
Trailer
1:06 | Trailer
A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.

Director:

John Huston

Writers:

Tennessee Williams (play), Anthony Veiller (screenplay) | 1 more credit »
Reviews
Won 1 Oscar. Another 1 win & 13 nominations. See more awards »

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Cast

Complete credited cast:
Richard Burton ... Rev. Dr. T. Lawrence Shannon
Ava Gardner ... Maxine Faulk
Deborah Kerr ... Hannah Jelkes
Sue Lyon ... Charlotte Goodall
Skip Ward ... Hank Prosner (as James Ward)
Grayson Hall ... Judith Fellowes
Cyril Delevanti ... Nonno
Mary Boylan Mary Boylan ... Miss Peebles
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Storyline

The Rev. T. Lawrence Shannon has been living in Mexico for two years, working as a tourist guide for a cut-rate travel agency. Shannon lost his church and was defrocked after taking liberties with one of his parishioners. He's now accompanying a group of middle-aged ladies from Texas whose leader, Judith Fellowes, is keeping a close eye on her teenage ward, Charlotte Goodall, who definitely has an interest in the former priest. After Charlotte and Shannon spend the night together, Fellowes is out to have him fired and to keep her from communicating with his employer, Shannon strands them at a remote hotel run by his good friend Maxine Faulk. It's the arrival of Hannah Jelkes and her elderly grandfather that has the greatest impact however. Her approach to life and love forces Shannon to deal with his demons and re-evaluate his life. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Most Talked About Film of 1964! See more »

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

6 August 1964 (USA) See more »

Also Known As:

The Night of the Iguana See more »

Filming Locations:

Mexico City, Mexico See more »

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Box Office

Budget:

$3,000,000 (estimated)

Cumulative Worldwide Gross:

$3,942
See more on IMDbPro »

Company Credits

Production Co:

Seven Arts Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sue Lyon's then-fiancé, Hampton Fancher III, accompanied her on location, but after interfering with production too many times, John Huston had him banned from the set. See more »

Goofs

Contrary to the opinion of some, in the opening shot of the church, a torrential rainstorm does not take place under a cloudless sky, it's a solid overcast sky -- hard to differentiate on black and white film. See more »

Quotes

Maxine Faulk: I know what you're up to, honey. You want to make yourself useful so I'll let you and old Gramps stay on here free.
Hannah Jelkes: Oh, I wouldn't do anything so obvious - not with a woman of your practicality.
See more »

Connections

Referenced in Murder, She Wrote: Night of the Coyote (1992) See more »

Soundtracks

Mexicanerias
Performed by Pepito Villa (uncredited)
See more »

Frequently Asked Questions

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User Reviews

The best film of the Our Century
14 April 2006 | by willmorgan-2See all my reviews

This film, all and all, only gets better with each viewing. I first saw it as a child, and thought it odd and amusing. Yet even then I sensed something magical was going on in it, though I lacked then the adult realism to penetrate the world of Tennessee Williams. Subsequent viewings have only reinforced my feeling that this film may be the greatest film of the twentieth century. I say that not because it is an epic, or because William's play is so grand, but just because this play seems to so perfectly capture the age in which we live. We live, just as the Reverend Shannon does, torn between the desire to believe in an absolute, and the perils of such belief, between a reductionist 'realism' and an equally reductionist indulgence. The actors Kerr, Gardener, and especially Richard Burton, have sensed this, and their roles are so nuanced as to make one believe that what one is seeing is REALITY and not a theatrical performance. The emotional climax of the film comes at the moment when the old poet completes his poem and asks over and over again, in a paroxysm of painful joy---"Is it good? is it good?"---- Then he dies. Only the genius of Tennessee Williams come make such melodrama seem utterly convincing. For the artist who wrote this play has been complimented by the artists who directed and acted it. Great art leaves everything opened but nothing settled--- creating the sense that justice has been fully achieved. Here, all too rarely for the art of cinema, both grace and justice have indeed been fully achieved.


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