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My Fair Lady (1964)

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A snobbish phonetics professor agrees to a wager that he can make a flower girl presentable in high society.

Director:

George Cukor

Writers:

Alan Jay Lerner (book), George Bernard Shaw (from a play by) (as Bernard Shaw) | 1 more credit »
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Popularity
2,990 ( 778)
Won 8 Oscars. Another 17 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
Audrey Hepburn ... Eliza Doolittle
Rex Harrison ... Professor Henry Higgins
Stanley Holloway ... Alfred P. Doolittle
Wilfrid Hyde-White ... Colonel Hugh Pickering
Gladys Cooper ... Mrs. Higgins
Jeremy Brett ... Freddy Eynsford-Hill
Theodore Bikel ... Zoltan Karpathy
Mona Washbourne ... Mrs. Pearce
Isobel Elsom ... Mrs. Eynsford-Hill
John Holland ... Butler
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Storyline

Pompous phonetics professor Henry Higgins is so sure of his abilities that he takes it upon himself to transform a Cockney working-class girl into someone who can pass for a cultured member of high society. His subject turns out to be the lovely Eliza Doolittle, who agrees to speech lessons to improve her job prospects. Higgins and Eliza clash, then form an unlikely bond -- one that is threatened by an aristocratic suitor. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

The most loverly motion picture event of all! See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

25 December 1964 (USA) See more »

Also Known As:

Mi bella dama See more »

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Box Office

Budget:

$17,000,000 (estimated)

Gross USA:

$72,000,000
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (35 mm magnetic prints)| 70 mm 6-Track (70 mm prints)| Dolby Stereo (70 mm prints) (1994 re-release)| DTS (35 mm prints) (1994 re-release)| Dolby Digital (35 mm prints) (1994 re-release)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

One of only four productions to win the Best Play Tony (1957) and the Best Picture Oscar (1964). The other three are The Sound of Music (1965) (1960/1965), A Man for All Seasons (1966) (1962/1966) and Amadeus (1984) (1981/1984). See more »

Goofs

As often happens in film, actors who live in sunny Hollywood reveal themselves as mere actors, and not the actual characters they are playing on screen. Professor Higgins, a tweedy Englishman, who has lived and worked indoors his whole life, has the deep, burnished tan of actor Rex Harrison. See more »

Quotes

[first lines]
[sounds from crowd, occasionally a word or phrase, indistinct and mostly not associated with a character]
Mrs. Eynsford-Hill: Don't just stand there, Freddy, go and find a cab.
Freddy Eynsford-Hill: All right, I'll get it, I'll get it.
See more »

Crazy Credits

In the posters, playbills and the original cast album for the stage version of "My Fair Lady", the credits always read "based on Bernard Shaw's 'Pygmalion' ", letting the audience know what play "My Fair Lady" was actually adapted from. The movie credits simply read "from a play by Bernard Shaw". See more »

Alternate Versions

When the restored version debuted at New York's Ziegfeld Theater in 1994, the new end credits played over Audrey Hepburn's rendition of "Wouldn't It Be Loverly?" (This previously unheard track was found during the restoration of the film.) All other prints have the credits run during an instrumental of "I Could Have Danced All Night." See more »

Connections

Referenced in Mystery Science Theater 3000: The Sinister Urge (1994) See more »

Soundtracks

You Did It
(1956) (uncredited)
Music by Frederick Loewe
Lyrics by Alan Jay Lerner
Performed by Rex Harrison, Wilfrid Hyde-White, Mona Washbourne and Servants' Ensemble
See more »

Frequently Asked Questions

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User Reviews

 
My Fair Movie
25 October 2004 | by vox-saneSee all my reviews

Very few movies are letter-perfect. Not perfect in the sense that goofs and gaffes don't exist here and there, but perfect as in pure entertainment. Especially in long movies, the squirm element is always a threat. "My Fair Lady", bringing the most tuneful of Broadway scores to the big screen (really big, at the time) was as perfect as movie entertainment could be. The old furors over Audrey Hepburn seem silly in hindsight. Hepburn replaced Julie Andrews, a wonderful singer-actress who had created the role, not only on Broadway but in London. But Andrews was not a familiar face to movie-goers and no one knew if she'd hold an audience in the movies as in the live theaters. Too, Hepburn was an inspired choice, since her background probably would make Eliza Doolittle's transformation from flower-selling gutter-snipe into a lady of quality more believable (Hepburn's mother was a baroness). As far as her singing voice, the new DVDs of "MFL" have her acting to her own recordings of a few of the songs, and while it's not bad, at this level of film-making expense and prestige, "not bad" is no good.

Surrounding her are a magnificent cast. Stage and screen pros Rex Harrison (Henry Higgins) and Stanley Holloway (Doolittle) were carried over from Broadway (after some initial and rather foolish questions about both). Joining them were veteran droll actor Wilfred Hyde-White as Col. Pickering and an amazingly youthful Jeremy Brett ("Sherlock Holmes") as Freddy.

The book and lyrics were by Alan Jay Lerner and the music by Frederick Loewe ("Brigadoon", "Camelot", "Gigi", etc.) based on George B. Shaw's best play. A fully "integrated" musical where the songs advance the story or reveal character, the nonpareil line-up of songs include "I've Grown Accustomed to Her Face", "The Rain in Spain", "I Could Have Danced All Night" and "On the Street Where You Live".

Because of its theatrical origins there is an unavoidable stage-bound look to some scenes. But the designers have done their best to keep this from being a detriment. The interiors look like real houses, the Covent Garden set is a masterpiece of openness. Only the Ascot scene retains its staginess, but its black and white palate and stylized look adds variety to the movie.

The restored DVD version looks great. I saw a print of this movie in a revival theater in the early 1980s; it was blurry and broken and the colors were faded and inaccurate. Yet the designers used a rich tapestry of colors and wood tones, giving every corner of the movie's wide screen something worth seeing. "MFL" was a spectacle well worth the struggle and expense of restoration.

Everything about "MFL" was first-class, the cast, script, costuming, sets, music. For someone who enjoys musical there's not a dull moment.


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