Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
Domenico, a successfull businessman, with an eye for the girls, begins an affair with Filumena when she is 17 years old. She becomes a prostitute, but also becomes the mistress of Domenico. He eventually sets her up in an apartment, and she works for him in his various businesses. She secretly bears three children, who are raised by nannys. Domenico starts planning to marry a young employee. Filumena tricks him into marriage by pretending to be dying. Domenico annuls the marriage. Filumena then tells him of the three children. She says that one of the children belongs to Domenico, but will not say which one is his. You start to believe that all of the children could be his, and Domenico then marries Filumena again, this time willingly.Written by
Steve Jordan <firstname.lastname@example.org>
You have never seen it before! A New torrent of emotions! A New Triumph of Film-Making from EMbassy Pictures who brought you "Divorce Italian Style" and "Yesterday, Today and Tomorrow" now brings you...
In the movie the house of Filumena and Domenico is located in "Piazza del Gesù", a known square in the historic center of Naples. The scene where Filumena leaves the lawyer's office was filmed in "Piazza Bellini." See more »
Munasterio 'e Santa Chiara
Written by Michele Galdieri and Alberto Barberis
Sung by Don Domenico on the trip home from the racecourse; Don Domencio also asks the boys to sing it See more »
When De Sica finally got around to filming Eduardo De Filippo's great play "Filumena" he chose two of Italian cinema's finest actors to play the leads and even if the change of title to "Marriage Italian Style" was something of a sop to commercialism the end result was still hugely satisfying. Sophia Loren, (magnificent), is Filumena, the Neopolitan prostitute, and Marcello Mastroianni, (also superb), the rich patron who strings her along for years, always finding an excuse not to marry her.
It is, of course, a comment on Italian machismo and of the subservient role of women in Italian society so perhaps the comic possibilities of the plot might escape a non-Italian audience, (comedy was never De Sica's strong point). Still, Sophia was never more radiant than she is here, so what's not to love, (she was Oscar-nominated), and De Sica does manage to keep the potential for sentimentality at arm's length. Unfortunately, the film isn't as highly thought of as it once was and isn't much seen today.
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