The evil Prince Prospero is riding through the Catania village when he sees that the peasants are dying of Red Death plague. Prospero asks to burn down the village and he is offended by the villagers Gino and his father-in-law Ludovico. He decides to kill them, but Gino's wife, the young and beautiful Francesca, begs for the lives of her husband and her father and Prospero brings them alive to his castle expecting to corrupt Francesca. Propero worships Satan and invites his noble friends to stay in his castle that is a shelter of depravity against the plague. When Prospero invites his guests to attend a masked ball, he sees a red hooded stranger and he believes that Satan himself has attended his party. But soon he learns who his mysterious guest is.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Average Shot Length = ~7.4 seconds. Median Shot Length = ~7.5 seconds. See more »
Towards the end of the movie, just before Prospero sees the man in red, a blonde woman dances from left to right. The frame then jumps and the blonde woman is once again on the left side without having returned. See more »
"And Darkness and Decay and the Red Death held illimitable dominion over all."- the final line of the original Poe story. See more »
The original UK cinema version was heavily cut by the BBFC to edit lines of implied sexual dialogue, the killing of Juliana by the falcon, and scenes of burning people (including Alfredo in the ape costume), and to completely remove the entire black mass dream sequence. Video and DVD releases fully restore the BBFC cuts though the print used is an edited U.S version which misses some dialogue as well as a shot of Francesca being slapped across the face by one of Prospero's soldiers. See more »
A slap in the face for Corman's critics! An atmospheric and imaginative adaptation of one of Poe's most intriguing stories.
Roger Corman frequently gets a hard time from misguided movie snobs who look down on b-grade and exploitation movies. While Corman undoubtedly was involved in more than his fair share of silly schlock (usually as a producer rather than a director), he also made some wonderful movies that are criminally underrated. Some of his best movies as a director were the series of Edgar Allen Poe adaptations he made in the Sixties starring horror legend Vincent Price. 'The Masque Of The Red Death' is quite possibly the very best in the series. It is certainly the most unusual and imaginative. Now I'm not sure whether it was filmed in Britain or not, but Price is supported by a largely British cast which includes Jane Asher ('The Stone Tape'), Hazel Court (Hammer's 'Curse Of Frankenstein'), and the legendary character actor Patrick Magee ('Dementia 13', 'A Clockwork Orange'). That and the fact that the cinematographer is none other than Nic Roeg(!), later to become famous for such classics as 'Performance', 'Don't Look Now' and 'The Man Who Fell To Earth', leads me to believe that it was made in England. The involvement of the aforementioned, and a strong script co-written by the talented Charles Beaumont (try and track down some of his short stories, you'll be impressed), make this a memorable experience. But Corman's direction should be given credit, and the single best thing about it is Vincent Price himself, who gives one of his very best performances. This movie has it all, striking visuals, an intriguing plot (with a stronger Satanic theme than generally seen in most mainstream horror movies), good acting, suspense, plenty of atmosphere, and some striking dream-like imagery many have compared to Bergman's 'Seventh Seal'. 'The Masque Of The Red Death' is one of Roger Corman's greatest achievements and one of the very best horror movies made in the 1960s. It has lost very little of its impact over the years and is still essential viewing for any horror fan, or anybody who appreciates imaginative cinema.
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