Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
When Jane and Michael, the children of the wealthy and uptight Banks family, are faced with the prospect of a new nanny, they are pleasantly surprised by the arrival of the magical Mary Poppins. Embarking on a series of fantastical adventures with Mary and her Cockney performer friend, Bert, the siblings try to pass on some of their nanny's sunny attitude to their preoccupied parents.Written by
The last feature in which Disney legend Ward Kimball worked as an animator. He designed and drew The Pearly Band for the "Supercalifragilisticexpialidocious" sequence, and the big, evil-eyed woman beating a tambourine against her little husband's head was typical of his humor. Walt Disney had promoted Kimball to director for his TV shows in 1954 but demoted him back to animator after the two had a falling out in 1961. With the huge success of "Mary Poppins" Disney had a change of heart and restored Kimball to a director's position, which he kept until his retirement in 1973. See more »
During "Feed the Birds," Mary Poppins is holding a rather large water globe. At the end of the song, she puts Michael in his bed and tucks in Jane, but the globe is nowhere in sight. See more »
All right, ladies an' gents! Comical poem! Suitable for the occasion, extemporized and thought up before your very eyes! All right, 'ere we go!
Room 'ere for everyone. Gather around.
The constable - responstable! Now 'ow does that sound?
[dashes over to Miss Lark, sings]
'Ello, Miss Lark, I've got one for you.
[...] See more »
In the end credits cast list, the actor playing Mr. Dawes, Sr. is initially shown as NAVCKID KEYD, then the letters unscramble themselves to show that this is a second role played by Dick Van Dyke. See more »
AFI blew it by omitting "Mary Poppins" from its 100 greatest American films. It's pure cinema, with state of the art special effects for its time. But the effects serve a lovely story, well told and acted, with charming song and dance numbers. The overture, underscoring Poppins's flight over London, is classic: worth the price of admission or rental; maybe the best overture ever, on screen or stage. I was 3 when the film debuted; I thought I'd die if I never got to see it again.
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