A collection of four Japanese folk tales with supernatural themes.A collection of four Japanese folk tales with supernatural themes.A collection of four Japanese folk tales with supernatural themes.
- Director
- Writers
- Yôko Mizuki(screenplay)
- Lafcadio Hearn(novel)
- Stars
Top credits
- Director
- Writers
- Yôko Mizuki(screenplay)
- Lafcadio Hearn(novel)
- Stars
- Nominated for 1 Oscar
- 5 wins & 2 nominations total
- Director
- Writers
- Yôko Mizuki(screenplay)
- Lafcadio Hearn(novel)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe four vignettes were chosen to represent the four seasons of the year.
- GoofsAt the end, a spotlight falls on a cup of tea on the floor, farther from other cutlery set items. Previously, the cup was lying right next to a wooden tea tray.
- Quotes
Minokichi's mother (segment "Yuki-Onna"): Traveling alone. I'm a bit worried about you. People are not always kind. Especially to young girls. You must be careful, not to be deceived by bad men.
- Alternate versionsOriginally a four-episode anthology released in Japan at 183 minutes. The USA version removes the second episode, starring Keiko Kishi and Tatsuya Nakadai, in order to shorten the running time to 125 minutes.
- ConnectionsEdited into Spisok korabley (2008)
Review
Featured review
Japanese Poems
A man returns to his abandoned wife seeking forgiveness and pays for his cruelty. A snow demon and a young man make a pact. A blind priest is summoned by the ghosts of dead warriors to recite the heroic battle that cost them their lives. A samurai is taunted by ghosts in his cup of tea...
Kobayashi's output has been small compared to his contemporaries' (Kurosawa, Ozu...) yet each of his films is an assault on the senses and a visual gem. After unleashing some of Japan's cinematic legends in two of the greatest samurai films ever made (Samurai Rebellion with Toshiro Mifune and the sublime Harakiri with Tatsuya Nakadai), the master moved on to the supernatural with this collection of ghost stories. Filming for the first time in color, Kobayashi wields it like few others before or since, blending spellbinding compositions together and giving us a film of a visual beauty that rivals the best of Kurosawa, Kubrick or Tarkovsky. The eerie feeling of dread is matched only by the film's sheer beauty and power, like watching a moving painting or experiencing a trance.
Kwaidan is not entertaining: it is captivating, bewitching, unique even by it's author's standards. For movie-goers, this is a unique experience. For amateurs of art, it is a feast.
Unmissable!
Kobayashi's output has been small compared to his contemporaries' (Kurosawa, Ozu...) yet each of his films is an assault on the senses and a visual gem. After unleashing some of Japan's cinematic legends in two of the greatest samurai films ever made (Samurai Rebellion with Toshiro Mifune and the sublime Harakiri with Tatsuya Nakadai), the master moved on to the supernatural with this collection of ghost stories. Filming for the first time in color, Kobayashi wields it like few others before or since, blending spellbinding compositions together and giving us a film of a visual beauty that rivals the best of Kurosawa, Kubrick or Tarkovsky. The eerie feeling of dread is matched only by the film's sheer beauty and power, like watching a moving painting or experiencing a trance.
Kwaidan is not entertaining: it is captivating, bewitching, unique even by it's author's standards. For movie-goers, this is a unique experience. For amateurs of art, it is a feast.
Unmissable!
helpful•402
- OttoVonB
- Jan 6, 2006
Details
- Release date
- Country of origin
- Language
- Also known as
- Kwaidan
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ¥350,000,000 (estimated)
- Runtime3 hours 3 minutes
- Aspect ratio
- 2.35 : 1
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