An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.
- Director
- Writers
- Henry Farrell(screenplay)
- Lukas Heller(screenplay)
- Stars
- Director
- Writers
- Henry Farrell(screenplay)
- Lukas Heller(screenplay)
- Stars
- Nominated for 7 Oscars
- 3 wins & 9 nominations total
- Gang Leader
- (as Michael Petit)
- Director
- Writers
- Henry Farrell(screenplay) (story)
- Lukas Heller(screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Olivia de Havilland agreed to make this movie, director Robert Aldrich called Bette Davis to give her the good news. He also requested she keep the news a secret until he returned in two days, when he would legally inform Joan Crawford and her lawyer by letter. However, Bette didn't listen - she called her press agent, Rupert Allan, who immediately leaked the story to the press.
- GoofsIn the ballroom dance scene near the beginning of the film, the women's hairstyles are contemporary with 1964, rather than in the hairstyles for the year 1927 as the scene calls for.
- Quotes
Big Sam Hollis: [speaking, angrily, to John Mayhew] My daddy sat out there on that veranda. Let this whole place slide to dust. When he died there was nothin' but debts and dirt. I touched that dirt and made it blossom. I fought to keep this house and to bring it back up!
Big Sam Hollis: [going over to Charlotte's portrait on the wall] I don't have a son to give it to - only Charlotte. And she ain't gonna' give it to you. You ain't gonna' have my home or my child. I created both and I'm gonna' keep 'em.
Big Sam Hollis: [now confronting John Mayhew] I haven't watched over my girl all these years to have some... to have someone... to have some *creature* like you take her away.
- Alternate versionsThe original UK cinema version was cut by the BBFC to heavily edit the opening cleaver murder, and some cut prints have also been shown on Channel 4 TV. Video and DVD releases are uncut.
- ConnectionsEdited into The Time That Remains (2012)
- SoundtracksHush...Hush, Sweet Charlotte
Lyric by Mack David
Music by Frank De Vol
Sung by Al Martino (uncredited)
[Performed over the closing credits]
It's 1927, the Louisiana plantation home of Sam Hollis (Victor Buono), and Charlotte Hollis (Davis) is having an affair with a married man, John Mayhew (Bruce Dern). After a heated argument between Sam and John, John is brutally slain by an unseen assailant, only Charlotte appears on the scene covered in blood. Then it's the present day and just Charlotte and her house keeper, Velma (Moorehead), live at the Hollis mansion, Sam having passed away many years ago. Charlotte is mentally scarred from the echoes of the past, she's a recluse and seen by the townsfolk as the local mental case. As developers try to plough a road through the Hollis home, Charlotte sends for her cousin Miriam (Havilland), but then strange things start happening and Charlotte might once and for all tip over the edge.
A bit long at 2 hours 13 minutes and a bit too bonkers at times, Hush Hush, Sweet Charlotte still comes out as glorious Guignol entertainment. The setting is perfect, a Baton Rouge locale of whispering trees and ominous foliage, the Hollis mansion a place of dark secrets, shadowy halls and mental disintegration. Biroc's black and white photography seems to revel in the misery and emotional turmoil that blows about the place, and the brilliant Aldrich unleashes delirious turns from Davis and Moorehead as the others play perfectly restrained foil. There's a strong mystery element driving the plot forward, because what we think is true may not actually be the case? The narrative deftly reveals back stories as film progresses, hints at means and motives dangle tantalisingly in the Gothic tinged air, and then the finale doesn't disappoint, it has some surprises in store and closes the picture down handsomely.
Best served with a good helping of Sour Mash, Hush Hush, Sweet Charlotte is Southern Gothicana with bells on. Or should that be Belles? 8/10
- hitchcockthelegend
- Jan 16, 2014
Details
Box office
- Budget
- $2,235,000 (estimated)
- Runtime2 hours 13 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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