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Hush...Hush, Sweet Charlotte (1964)

Not Rated | | Crime, Drama, Mystery | 24 December 1964 (USA)
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An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.

Director:

Robert Aldrich

Writers:

Henry Farrell (screenplay), Lukas Heller (screenplay) | 1 more credit »
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Nominated for 7 Oscars. Another 3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bette Davis ... Charlotte Hollis
Olivia de Havilland ... Miriam
Joseph Cotten ... Dr. Drew Bayliss
Agnes Moorehead ... Velma Cruther
Cecil Kellaway ... Harry Willis
Victor Buono ... Big Sam Hollis
Mary Astor ... Jewel Mayhew
Wesley Addy ... Sheriff Luke Standish
William Campbell ... Paul Marchand
Bruce Dern ... John Mayhew
Frank Ferguson ... Editor
George Kennedy ... Foreman
Dave Willock ... Taxi Driver
Michel Petit Michel Petit ... Gang Leader (as Michael Petit)
John Megna ... New Boy
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Storyline

Aged, wealthy Charlotte Hollis has lived as a recluse in the crumbling family plantation mansion in Hollisport, Louisiana since her father Sam Hollis' death thirty-six years ago. The only people who regularly see her are her hard-as-nails but seemingly loyal housekeeper, Velma Crowther, and her longtime friend and physician, Dr. Drew Bayliss. She has lived there most of her life except for a short stint in London thirty-seven years ago following the vicious murder of her married lover, John Mayhew, at the plantation's summer house while Sam was hosting one of his legendary grand balls in the mansion. She and John had planned to run off together that night, but instead he was bludgeoned to death, his head and right hand severed from his body. Nobody was ever convicted for his murder, but most people believe Charlotte did it after John changed his mind about running off with her. They also believe that Charlotte, whom they haven't seen in years, is a crazy old woman. Conversely, ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Don't Tell Anyone What Happened In The Summer House! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

24 December 1964 (USA) See more »

Also Known As:

What Ever Happened to Cousin Charlotte? See more »

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Box Office

Budget:

$2,235,000 (estimated)

Gross USA:

$7,000,000, 31 January 1966
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

After being in the hospital for five weeks, Joan Crawford returned to work on Monday, July 20, 1964. On the first day, after she spent three hours in make-up, she stepped onto the soundstage, where she was greeted with applause and hugs from the cast and crew. Bette Davis also joined in the welcoming and handed Joan one perfect red rose. On the second day, Davis announced during a scene between Crawford and Joseph Cotten that she wanted some lines eliminated. "I am cutting some dialogue," said Bette, wielding a large red pencil and excising large chunks of dialogue from Joan's scene. "Miriam doesn't need them, and you, Mr. Cotten, I hope you don't mind. These lines hold me up." Joan abandoned her professionalism and turned on her heels and went to her dressing room. After this incident she was unable to work a full day without feeling tired. See more »

Goofs

In the ballroom dance scene near the beginning of the film, the women's hairstyles are 1964 vintage, rather than in 1927 style as the scene calls for. See more »

Quotes

Big Sam Hollis: I can't even look at Charlotte without ugly thoughts rip my guts! I'd sooner it been one of my field boys.
See more »

Crazy Credits

Opening credits prologue: 1927 See more »

Alternate Versions

The original UK cinema version was cut by the BBFC to heavily edit the opening cleaver murder, and some cut prints have also been shown on Channel 4 TV. Video and DVD releases are uncut. See more »

Connections

Referenced in Having a Wild Weekend (1965) See more »

Soundtracks

When the Saints Go Marching In
(uncredited)
Traditional
Played by the band at the party
See more »

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User Reviews

 
Grand Southern Gothic
29 March 2011 | by LechuguillaSee all my reviews

What an entertaining movie! It's the Southern setting that gives the film its potent flavor, with that overwrought plantation house, the Southern accents, the small town gossip, antebellum attitudes, and the music at the party in 1927. The script's dialogue also reflects this Southern tint. Mournfully reflecting on the past, Sam Hollis (Victor Buono) says near the beginning: "My daddy sat out there on that veranda; let this whole place slide to dust; when he died there was nothing but debts and dirt; I touched that dirt and made it blossom".

The story's theme is a preoccupation with the past, with ghosts not properly buried, and with family secrets, repression, and subterfuge. Charlotte (Bette Davis) is a pitiful woman because she is not rational. Like her daddy, she can't let go of the past. Living all alone in that big house with just her housekeeper Velma (Agnes Moorehead), Charlotte obsesses about bygone days. But if her own delusions contribute to her misery, she at least has the presence of mind to understand that those who come to visit her may not have her best interests in mind, hence the story's conflict as she attempts to fight back.

All of the major roles are ideally cast. I would not have made a single change in casting. Acting trends a tad melodramatic at times, but that's part of the fun. Agnes Moorehead gives one of the great supporting performances of all time. And Olivia de Havilland, with her vocal inflections, shrewd smile and stylish behavior, adds elegance that contrasts nicely with the shabby and humorously uncultured Velma.

B&W cinematography also contributes to the film's high quality. Dramatic lighting, interesting overhead camera angles, lots of interior shadows, and quick zoom-ins all add visual interest.

Plot structure is okay, but the runtime is a bit lengthy. I wish they had edited out some of the campy scenes in the second half.

"Hush...Hush Sweet Charlotte" is a grand movie, with grand actors and grand moments. The story contains mystery, spine-tingling suspense, and it veritably drips with Southern angst. Though the film is a tad campy in a few spots and is a bit long, nevertheless it's wonderfully entertaining.


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