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Hush...Hush, Sweet Charlotte (1964)

Not Rated | | Crime, Drama, Mystery | 24 December 1964 (USA)
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An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.

Director:

Robert Aldrich

Writers:

Henry Farrell (screenplay), Lukas Heller (screenplay) | 1 more credit »
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Nominated for 7 Oscars. Another 3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bette Davis ... Charlotte Hollis
Olivia de Havilland ... Miriam
Joseph Cotten ... Dr. Drew Bayliss
Agnes Moorehead ... Velma Cruther
Cecil Kellaway ... Harry Willis
Victor Buono ... Big Sam Hollis
Mary Astor ... Jewel Mayhew
Wesley Addy ... Sheriff Luke Standish
William Campbell ... Paul Marchand
Bruce Dern ... John Mayhew
Frank Ferguson ... Editor
George Kennedy ... Foreman
Dave Willock ... Taxi Driver
Michel Petit Michel Petit ... Gang Leader (as Michael Petit)
John Megna ... New Boy
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Storyline

Aged, wealthy Charlotte Hollis has lived as a recluse in the crumbling family plantation mansion in Hollisport, Louisiana since her father Sam Hollis' death thirty-six years ago. The only people who regularly see her are her hard-as-nails but seemingly loyal housekeeper, Velma Crowther, and her longtime friend and physician, Dr. Drew Bayliss. She has lived there most of her life except for a short stint in London thirty-seven years ago following the vicious murder of her married lover, John Mayhew, at the plantation's summer house while Sam was hosting one of his legendary grand balls in the mansion. She and John had planned to run off together that night, but instead he was bludgeoned to death, his head and right hand severed from his body. Nobody was ever convicted for his murder, but most people believe Charlotte did it after John changed his mind about running off with her. They also believe that Charlotte, whom they haven't seen in years, is a crazy old woman. Conversely, ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Don't Tell Anyone What Happened In The Summer House! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

24 December 1964 (USA) See more »

Also Known As:

What Ever Happened to Cousin Charlotte? See more »

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Box Office

Budget:

$2,235,000 (estimated)

Gross USA:

$7,000,000, 31 January 1966
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Joan Crawford's contract included a clause that stipulated she was not to accompany Bette Davis in any promotional appearance for the film. See more »

Goofs

Throughout the film, Charlotte and Miriam keep on referring to the "county commissioner". Louisiana is one of two states in the U.S. that's not divided into counties, the other being Alaska. See more »

Quotes

Miriam: Why wouldn't I tell him that his pure, darling little girl was having a dirty little affair with a married man?
Charlotte: You're a vile, sorry little bitch!
See more »

Crazy Credits

Opening credits prologue: 1927 See more »

Alternate Versions

The original UK cinema version was cut by the BBFC to heavily edit the opening cleaver murder, and some cut prints have also been shown on Channel 4 TV. Video and DVD releases are uncut. See more »

Connections

Referenced in Feud: Hagsploitation (2017) See more »

Soundtracks

Hush...Hush, Sweet Charlotte
Lyric by Mack David
Music by Frank De Vol
Sung by Al Martino (uncredited)
[Performed over the closing credits]
See more »

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User Reviews

 
A Fun, Frantic, Over-the-top Gothic Melodrama!
10 November 1999 | by djkentSee all my reviews

Well, I loved Bette Davis' performances, as a rule. But I'm willing to bet that even NON fans of Davis would appreciate her tour in this particular movie. Following two years after "Whatever Happened to Baby Jane?", "Hush...Hush, Sweet Charlotte" is nevertheless four times the film of its more noted predecessor. The reasons for this are four=fold. The script, though occasionally unintentionally funny, is still crisper, more believable and contains a more satisfying ending. Next, Davis' is more balanced by the performances of DeHavilland, Cotton, a more mature Victor Buono, and the great Agnes Morehead. Thirdly, we have a better set and setting, more attuned to the genre. Finally, the cinematography is several notches better, in my opinion. Adding it all up, you have an exceptionally fine example of that unique genre, the gothic melodrama. In this movie, the genre is virtually defined! If asked to name an example to a "top twenty" or "top fifty" movie list, "Hush...Hush, Sweet Charlotte" would definitely make the cut.


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