In New York, newly-promoted Wall Street broker Howard Brubaker is invited by his boss Ted Gunther to come to his apartment. However, there is a party and Howard feels uncomfortable and out ... See full summary »
To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
Two quirky Manhattanites crash into each other at an ophthalmologist's office. Peter is a grouchy cartoonist/author whose vision is failing; divorced mother Theresa is also reluctant to ... See full summary »
Stanley Ford leads an idyllic bachelor life. He is a nationally syndicated cartoonist whose Bash Brannigan series provides him with a luxury townhouse and a full-time valet, Charles. When he wakes up the morning after the night before - he had attended a friend's stag party - he finds that he is married to the very beautiful woman who popped out of the cake - and who doesn't speak a word of English. Despite his initial protestations, he comes to like married life and even changes his cartoon character from a super spy to a somewhat harried husband. When after several months he decides to kill off Bash's wife in the cartoon, his wife misinterprets his intentions and disappears. Which leads the police to charge him with murder.Written by
The comic strip art in the film was done by Mel Keefer, the artist on Perry Mason, Mac Divot and Rick O'Shay comic strips. In addition, Alex Toth drew a comic strip of the characters as part of a teaser campaign to promote the film. See more »
In the opening scenes, the same woman in a red skirt and black top can be seen walking past Stanley's house (left to right) twice - firstly when Charles is collecting the newspaper and then when Charles and Stanley are leaving in the car. See more »
This is Mr. Ford's shower - thermostatically controlled at Mr. Ford's body temperature: ninety-eight point *seven*!
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At first, it only says How to Your Wife on the screen, in white letters. Then, the word Murder shows up in red letters in the space between the two rows of text. See more »
This was the last of the three comedies that Jack Lemmon made in the middle 1960s that he hated. Like GOOD NEIGHBOR SAM (and not like the abysmal UNDER THE YUM YUM TREE) HOW TO MURDER YOUR WIFE had a clever script and good production. Lemmon played a successful cartoonist who carefully scripts and photos the scenes he will use in his detective adventure strip. He lives in a townhouse, complete with top rate valet (Terry-Thomas) and has a wonderful life as a bachelor. But while attending a stag party, he meets Virna Lisi, and takes her home. Apparently he has married her (the groom at the stag party had broken up with his fiancé before the party, and throws the wedding ring out - and Lemmon uses it). As a result Lisi starts domesticating him, and Terry Thomas walks out. Lemmon uses the changes in his lifestyle in the comic strip, but finally he revolts and kills off the comic strip version of Lisi. When Lisi sees this she walks out, but everyone thinks that Lemmon killed her. So the scene is set for a murder trial.
This is not a film for feminists. It takes a dim view at the effect of domestication on Lemmon (and his lawyer, a hysterically funny Eddie Mayehoff). But I point out that before the end Lemmon does admit he misses the domestication. Even Terry-Thomas gives into it at the conclusion. It still a good comedy, a worthy minor work if not one of the high points in Lemmon's acting career.
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