A day and a half in the life of the Fab Four leading up to a televised concert gig. The boys seem to be constantly on the run, from their crazed fans and from their manager, who is constantly trying to rein them in. Sir Ringo Starr however is arrested and still isn't in the studio half an hour before air time. With Sir Paul McCartney's grandfather available for additional comical relief, the group performs a dozen or so songs.Written by
Despite the "Reserved" sign on the outside window of the compartment the boys entered the disagreeable gentleman entered and made a pest of himself. See more »
[the Beatles are late for a rehersal]
T.V. Floor Manager:
They'll be here.
Yes, well, if they aren't on this stage in precisely thirty seconds there'll be trouble? Do you hear me? Trouble.
[exactly three seconds after he stops speaking, the Beatles calmly amble on stage]
Standin' around, hey? Some people have it dead easy.
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Deryck Guyler is credited as 'Police Inspector' though it is clearly established that he is only a sergeant. See more »
The 1981 re-release version has the following end credit (added & superimposed under the original ones for 'Sound Recordists', 'Sound Editor' & 'Assistant Editor'): "Rerecorded in DOLBY STEREO (TM Logo) at GOLDWYN SOUND FACILITY STEVE MASLOW, C.A.S. GREGG LANDAKER, C.A.S. See more »
I was in my mid-thirties when the Beatles came to America, and appeared at Shea Stadium and (famously) on the Ed Sullivan. I saw their success, with the screaming girls, as just another teen-age phenomenon. I must have read in some column that this film was interesting for its direction and photography. That was true. What I did not expect was that I would be caught up by the Beatles themselves, both as personalities and as musicians. Those who comment adversely on their lack of acting ability are way off base, because neither they nor the director were looking for dramatic skill; only for a degree of naturalness, which was achieved. Those who criticize the technical aspects are not well-acquainted with new developments in film technique especially in France; for instance, the jump shot. Those who criticize lack of plot must be interested only in straight narrative. I suggest that all the previously mentioned critics see the documentary materials on the making of the film, particularly those contained in the DVD set. They will see, for better or worse, that the creators and performers achieved what they wanted, allowing room for the unexpected. For forty years now I have been an admirer, own all their recordings, etc.; and taught this movie in my history of film class regularly. Don't believe the nay-sayers; see for yourself.
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