The Beatles produced a promotional film clip for "Strawberry Fields Forever", which served as an early example of what became known as a music video. The film features reverse film effects,... See full summary »
Filmed on 30 January 1969, at the Beatles' rooftop concert at Apple in London. Footage used in the film Let It Be. The Beatles' rooftop concert was the final public performance of the ... See full summary »
A day and a half in the life of the Fab Four leading up to a televised concert gig. The boys seem to be constantly on the run, from their crazed fans and from their manager, who is constantly trying to rein them in. Sir Ringo Starr however is arrested and still isn't in the studio half an hour before air time. With Sir Paul McCartney's grandfather available for additional comical relief, the group performs a dozen or so songs.Written by
In the scene where The Beatles are running and playing in the field, John Lennon was not there. He was away promoting his new book "John Lennon: In His Own Write." A body double filled in for John, and close-up shots of him were edited into the scene later. A copy of the book can be seen on a mantelpiece in the background of a shot of Norm, Shake, and Sir Paul's (very clean) grandfather. See more »
Around 00:00:54, cameraman is reflected on the window (when John Lennon is approaching). See more »
It's your nose, you know. Fans are funny that way, they take a dislike to things. They'll pick on a nose.
Aw, you pick on your own.
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Opening credits: All characters and events in this film are fictitious. Any similarity to actual events, or persons living or dead, is purely coincidental See more »
The 1981 re-release version has the following end credit (added & superimposed under the original ones for 'Sound Recordists', 'Sound Editor' & 'Assistant Editor'): "Rerecorded in DOLBY STEREO (TM Logo) at GOLDWYN SOUND FACILITY STEVE MASLOW, C.A.S. GREGG LANDAKER, C.A.S. See more »
I was in my mid-thirties when the Beatles came to America, and appeared at Shea Stadium and (famously) on the Ed Sullivan. I saw their success, with the screaming girls, as just another teen-age phenomenon. I must have read in some column that this film was interesting for its direction and photography. That was true. What I did not expect was that I would be caught up by the Beatles themselves, both as personalities and as musicians. Those who comment adversely on their lack of acting ability are way off base, because neither they nor the director were looking for dramatic skill; only for a degree of naturalness, which was achieved. Those who criticize the technical aspects are not well-acquainted with new developments in film technique especially in France; for instance, the jump shot. Those who criticize lack of plot must be interested only in straight narrative. I suggest that all the previously mentioned critics see the documentary materials on the making of the film, particularly those contained in the DVD set. They will see, for better or worse, that the creators and performers achieved what they wanted, allowing room for the unexpected. For forty years now I have been an admirer, own all their recordings, etc.; and taught this movie in my history of film class regularly. Don't believe the nay-sayers; see for yourself.
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