James Bond (Sir Sean Connery) is back and his next mission takes him to Fort Knox, where Auric Goldfinger (Gert Fröbe) and his henchman are planning to raid Fort Knox and obliterate the world economy. To save the world once again, Bond will need to become friends with Goldfinger, dodge killer hats, and avoid Goldfinger's personal pilot, the sexy Pussy Galore (Honor Blackman). She might not have feelings for Bond, but will 007 help her change her mind?Written by
Leslie Bricusse and Anthony Newley were asked to create the lyrics for the iconic theme song. But when its composer John Barry played them the first three notes, Bricusse and Newley looked at each other and sang out: "...wider than a mile," to the melody of "Moon River," the popular theme song from Breakfast at Tiffany's (1961). Barry was not amused. See more »
There must have been two different Aston Martin DB5's used for the film. In some scenes there is an amber turning signal or running light directly ahead of the ornate ports on the left and right front fenders but in some shots those lights are very obviously missing. See more »
Mr. Ramirez and his friends will be out of business.
At least they won't be using heroin flavored bananas to finance revolutions.
See more »
THE END OF "GOLDFINGER" BUT JAMES BOND WILL BE BACK IN "THUNDERBALL" See more »
When Goldfinger was shown on the "ABC Bond Picture Show" the scene when Jill Masterson was in Bond's hotel room was altered with computers so that it appeared that Jill had a bra on as opposed to a bare back See more »
Almost sublime - this James Bond film had it all, from adventure to romance to thrills. It starts with a shocking electrocution and then into the classic saucy gold credits before the scene is set with Goldfinger himself.
Bond, played by dashing Sean Connery for the third time, has to find out what unpleasant gold-smuggling chap named Auric Goldfinger is up to and put a stop to it. He tracks him down first to Geneva then Kentucky in a sparkling sequence of adventures, occasionally involving bumping into Goldfinger's memorable Korean hatchet-man Oddjob with the odd hat. Favourite bits from so many: short-lived girlfriend Shirley Eaton going for gold; polished Bond being dismissive of the brandy at the Bank Of England much to M's pleb puzzlement; the debut of the special Aston Martin and Q's workshop; the narky golf match between Bond and Goldfinger; Bond's close but rather unnecessary laser shave at Goldfinger's HQ; his various encounters with feisty Pussy Galore (Honor Blackman); the gangster with the pressing engagement; and Shirley Bassey's title song was by miles the best Bond song ever.
The whole film is still a joy, maybe improbable and even ludicrous at times yet I watched it rapt all these years later. It portrays back to us a simpler world though we didn't know it at the time, a world I can sometimes relate to better than the beautiful perfect world we have now. You don't need cgi cartoonery, strong sex, extreme violence, so-called realism – or even a sensible story – if you've got the right mix of escapism and personality put together by people who enjoy what they're doing instead of only being in the middle of a franchise.
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