Tore takes over the rundown family farm. Applying his youthful energy, he intends to make it into a big farm like Glomgården on the other side of the river, where beautiful Berit loves. ... See full summary »
Based on the 1918 novel 'Elsker hverandre' by Aage Madelung, the film follows various lives, one of which is Jewish girl Hanne Liebe, as she grows up, and experiences the pains of living as a Jew in Russia, leading to a revolution.
Carl Theodor Dreyer
A man and a woman on a motorcycle arrive with a ferry to Assens. They want to catch the next ferry in Nyborg, on the other side of the island, but this ferry will leave in three quarters of... See full summary »
The judge in a Danish town sees his illegitimate daughter facing a trial for the murder of her newborn child, and is rather sure that she will be sentenced to death. She became pregnant ... See full summary »
Carl Theodor Dreyer
In the elegant world of artists and musicians, Gertrud ends her marriage to Gustav and takes a lover, the composer Erland Jansson. When he also fails to live up to her idealistic standards, she leaves him and imposes on herself a kind of exile of the heart. In flashbacks and in conversations laced with memories, we also learn of her affair with Gabriel, who still wishes she would go off with him, and we learn of her adolescence, with its early expression of her isolating ideal of absolute love.Written by
When Gertrud walks across the room in order to give Axel his letters back, the shadow from the camera and equipment can clearly be seen on the back wall. See more »
I dreamed something last night.
What did you dream?
I was running naked through the streets, dogs chasing me, and when they caught me, I awoke. And I realized we two are completely alone in the world.
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The Carl Dreyer's film, Gertrud, is the last masterpiece of the great director. The history treat of the woman in isolation. Adapted from a 1920s play by Hjalmar Soberberg, Gertrud plays out in long takes, with few close-ups and exterior scenes.The pace and rhythm of the actions and interactions are retarded to the point that many of the conversations take on an almost incantatory quality. A small gesture and sound effect at the very end of the coda epitomize the complexity of feeling that Dreyer creates about the worldly renunciations and imaginative substitutions in Gertrud. Though initial critical reaction to the film was largely unfavorable. The picture is deliberate and reflective but not boring. I recommend.
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