5.6/10
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8 user 16 critic

All These Women (1964)

För att inte tala om alla dessa kvinnor (original title)
The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days. He doesn't manage to get an interview with ... See full summary »

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Cast

Complete credited cast:
... Humlan
... Isolde
... Adelaide
... Madame Tussaud
... Traviata
... Cecilia
... Beatrica
... Jillker
... Tristan
... The Young Man
... Cornelius
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Storyline

The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information and tries to blackmail the cellist into performing a composition that he, Cornelius, has written. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

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Ingmar Bergmans första komedi i färg! See more »

Genres:

Comedy

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Release Date:

5 October 1964 (USA)  »

Also Known As:

All These Women  »

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| (Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Intended to be a parody of Italian filmmaker Federico Fellini who Bergman admired. See more »

Quotes

Isolde: I sit admiring his hands. I go funny all over when I watch that hand twiddling the strings. And in a trice I'm sitting where the cello was.
Cornelius: It's not possible.
Isolde: He has such wonderful fingering. Isn't that what it's called?
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User Reviews

 
Only Because I'm Trying to See as Much of the Bergman Canon as I Can
16 March 2015 | by See all my reviews

I have now watched two lesser pieces in a row ("A Lesson in Love" being the first), each of which is a comedy. The former had that fifties kind of feel to it with some cleverness and some unique banter. This is simply a mess. A music critic is writing a biographer of a famous cellist named Felix. As he researches this he becomes embroiled in the dalliances of the maestro. Like so many Amrican comedies of the sixties it is constant physical humor for it's own sake. The problem is that it is not very funny. There are beautiful women running around, each having a sexual connection to Felix. They all know each other and have even set up a schedule. I wonder if Bergman skipped some more valuable work to do this. Don't bother.


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