Young, pretty and innocent Fanny Hill has lost her parents and must find her way in life amidst the perils of turbulent 18th century London. She is fortunate enough to find rapidly a place ...
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Taking a look at the connection that glamour models have to photography, a group of film makers follow a number of glamour magazine photographers around, to discover the skill involved in getting "magic" to appear on the photos.
Lorna has been married to Jim for a year, but still hasn't been satisfied sexually. While Jim is working at the salt mine, she is raped by an escaped convict, but falls in lust with him. ... See full summary »
Paul, the owner of a topless go-go bar on the Sunset Strip, isn't having a good day. His girlfriend, unbeknownst to him, is planning to rob his club, and his wife is having an affair with the hunky bartender.
An old geezer recalls some of the antics of the men and women of his western town, more wild and woolly than Tombstone or Dodge City. In this town no one is a good shot, the women are ... See full summary »
Tales of eleven losers are told and interwoven. Burt can't satisfy Angel, so she seeks the arms of another man, who is caught by Angel in the arms of another woman. Angel ends up with ... See full summary »
After stealing a fortune in unclaimed jewelry, ex-detective Barney Rickert arrives at a run-down dude ranch in Arizona to hide out. When the owner, Dewey Hoople, refuses to sell the land to... See full summary »
Mr. Teas is a door to door salesman for dentists' appliances. Everywhere he goes he encounters beautiful "well-developed" nude women, which of course stir his interest. The only sound in ... See full summary »
Three bad boy motorcyclists get kicks raping women and generally being a nuisance. When they rape a veterinarian's wife, he takes exception and pursues them, teaming up with a Cajun woman ... See full summary »
It's 1933, in the midst of the Depression and Prohibition. Calif, a stranger with a past walks into Spooner, Missouri on his way from Michigan to California. He hires on with Lute Wade to ... See full summary »
Young, pretty and innocent Fanny Hill has lost her parents and must find her way in life amidst the perils of turbulent 18th century London. She is fortunate enough to find rapidly a place as chambermaid of the effusive Mrs. Brown. Mrs. Brown lives in a large house teeming with female "relatives" in négligée and with very relaxed manners. She also insists that Fanny meets alone various gentlemen who show an ardent interest in Fanny.Written by
Eduardo Casais <firstname.lastname@example.org>
Mrs. Maude Brown:
She's fresh as a young heifer still romping among the daisies in her innocence, almost mooing for her mama.
So you say, my Dear, so you say. But I have noted in the past a slight tendency on your part to exaggeration. Some of your heifers have turned out to be overblown milk cows.
Mrs. Maude Brown:
Dear Dinklespieler, I am not asking you to purchase sight unseen. You may investigate fully.
Fully? How fully?
Fifty guineas worth.
'od's blood, you ask more for an untried maiden than the government asks of me in ...
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"The End of the Beginning, To Be Continued" See more »
Fanny Hill proved to be something of a one-off for famed sexploitation director Russ Meyer. For one thing, it was a film he made in West Germany and it was also a period film based on a literary source. It was hardly, therefore, the kind of material that Meyer was used to tackling. As such, it is definitely one of the less personal films he ever made, where he truly seemed like no more than a director-for-hire. The story follows a young woman who falls on hard times but is welcomed in a house populated by women; which the wide eyed innocent doesn't recognise as a brothel.
Whenever Meyer veers too far out of his comfort zone it often ends in trouble and Fanny Hill is unfortunately no exception. It is a film which will be unlikely to satisfy many Meyer fans nor those who liked the novel I should imagine. It's neither erotic nor funny and also commits one of the worse cinematic sins in being over-long too. Definitely a film which Meyer completists should at least see but it is something of a slog to get through though, so be warned. The most interesting aspect of it for me was the appearance of Laetitia Roman in the lead role. I had hitherto only known her from her starring performance in Mario Bava's highly influential year-zero giallo The Girl Who Knew Too Much (1963), which needless to say was a considerably better film than this one. But it was nice to see her in something else at the very least.
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