During the 1900 Boxer Rebellion against foreigners in China, U.S. Marine Major Matt Lewis, aided by British Consul Sir Arthur Robertson, devises a strategy to keep the rebels at bay until an international military relief force arrives.
Action-packed look at the beginnings of the fall of the Roman Empire. Here is the glory, the greed and grandeur that was Rome. Here is the story of personal lust for power, and the shattering effects of that power's loss. Here is the tale of the plight of a people living on the brink of a political abyss.Written by
The glory and grandeur that was Rome 1780 years ago are recreated as never before. All of that Rome - its eloquent stores, its swarming multitudes, its exotic scenes, the very noise of the traffic in the streets - parades before you. Assailed on all sides by barbarian hordes, and Oriental armies, Rome, like an overripe fruit, was ready to fall. See more »
Alec Guinness became good friends with Sophia Loren. On an evening out, Loren persuaded Guinness to dance "The Twist" with her, which he did for the first time in his life. See more »
It is general opinion that Marcus Aurelius was not assassinated, neither by poison, as in THE FALL, nor by asphyxiation, as in Ridley Scott's GLADIATOR. Instead the general conclusion is that MA died of disease, aggravated by exhaustion after endless years of constant fighting. See more »
Men of Rome, men of Rome! Do not touch these people, they have become your brothers. They're Roman now. The whole Northern people will answer with fire and blood, their hatred will live for centuries. Men of Roman blood will pay for this. You will make nations to kill us all. Let us live in peace!Peace!
[Timonides is killed with a javelin in the chest]
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The Paramount logo did not appear on American prints. See more »
It's particularly interesting to compare this movie with Gladiator (2000), as both take the same historical event as a starting point. While the fight scenes are more exciting in Gladiator, and while Gladiator is probably the superior film overall, this film does have three distinct advantages.
First of all, the armies and crowds are better here - it's real people and not computer generated icons. Some of the marching scenes were a bit lengthy for my tastes, but the soldiers, the horses, the armor, the swords and spears, all of it, were very authentic and impressive. Second, as the armies look more realistic, so do the sets. We do not see the coliseum in this film, but we do see the palaces, pools, forts and throne rooms. Very exciting. Third, and perhaps most importantly, this film has superior acting. Christopher Plummer is probably the best thing here - his Commodus is at once more dastardly and more likeable than that of Gladiator; again, this means more realistic. James Mason is also in top form, here; for once, he does not play a slippery philanderer.
There is something flawed about this film that I can't quite put my finger on. It does not reach the heights of other 50s and 60s epics such as The Ten Commandments or Ben-Hur. Still, it is a dramatic and at times moving film. It does convey the gravity (some might say tragedy) of the Empire's fall and the pax romana that never was.
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