Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.
Peter Graham Scott
Three distinguished English gentlemen accidentally resurrect Count Dracula, killing a disciple of his in process. The Count seeks to avenge his dead servant, by making the trio die in the hands of their own children.
When Castle Dracula is exorcised by the Monsignor, it accidentally brings the Count back from the dead. Dracula follows the Monsignor back to his hometown, preying on the holy man's beautiful niece and her friends.
Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. Fortuitously finding the creature he was previously working on, he brings it back to a semblance of life but requires the services of a mesmerist, Zoltan, to successfully animate it. The greedy and vengeful Zoltan secretly sends the monster into town to steal gold and 'punish' the burgomaster and the chief of police, which acts lead to a violent confrontation between the baron and the townspeople.Written by
Doug Sederberg <firstname.lastname@example.org>
This film appeared from no-where. It did not follow from The Revenge of Frankenstein, which had immediately preceded it, and the next film in the series, Frankenstein Created Woman, makes no mention of this film. This is a one-off film in the Hammer Frankenstein saga much in the same way that Scars of dracula is a one-off in the Dracula saga. For once, the story is rather flimsy, and the characters fail to build any pathos with the audience. The acting is good, but has no-where to go. It seems to be a remake of any number of Universal horror films rather than an original Hammer film. The direction is rather flat and the monster is just some monolithic doomsday machine running around, destroying everything. On the plus side, the atmosphere is suitably gothic and the costumes are realistic. It is, however, the least best Frankenstein film featuring peter Cushing.
12 of 17 people found this review helpful.
Was this review helpful to you?
| Report this