Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.
Peter Graham Scott
Three distinguished English gentlemen accidentally resurrect Count Dracula, killing a disciple of his in process. The Count seeks to avenge his dead servant, by making the trio die in the hands of their own children.
When Castle Dracula is exorcised by the Monsignor, it accidentally brings the Count back from the dead. Dracula follows the Monsignor back to his hometown, preying on the holy man's beautiful niece and her friends.
Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. Fortuitously finding the creature he was previously working on, he brings it back to a semblance of life but requires the services of a mesmerist, Zoltan, to successfully animate it. The greedy and vengeful Zoltan secretly sends the monster into town to steal gold and 'punish' the burgomaster and the chief of police, which acts lead to a violent confrontation between the baron and the townspeople.Written by
Doug Sederberg <email@example.com>
The Evil of Frankenstein is directed by Freddie Francis and written by John Elder. It stars Peter Cushing, Sandor Eles, Peter Woodthorpe and Katy Wild. Music is by Don Banks and cinematography by John Wilcox.
Returning back to Karlstad after a ten year absence, Baron Frankenstein (Cushing) hopes that the town has forgotten his monstrous impact on the town previously. With assistant Hans (Eles) in tow, it's not long before the Baron stumbles upon his monster creation frozen in a glacier of ice...
Anything they don't understand, anything that doesn't conform to their stupid little pattern...they destroy.
With Hammer Films finally getting friendly with Universal Pictures, The Evil of Frankenstein forgets the two previous Hammer Frankenstein movies and goes for what is in all essence a rehash of Karloff's stomping days. That's not necessarily a bad thing if one can judge the film as a standalone movie? But creativity is sparse and it's left to the cast and technical department to create an above average Frankenstein movie.
Yep, it sure does look nice, with impressive costuming and well dressed sets, it's a Hammer movie for sure. Bank's score is also classic Hammer strains. Cushing gives his usual dose of quality, though he is a touch restrained here in terms of committed emotion, and you have to smile at his James Bond moment during one getaway scene while a buxom babe looks on with kinky lustation in her eyes. Elsewhere it's a safe turn of cast performances, with future Dad of Delboy Trotter, Woodthorpe, camping it up as the scheming and revenge fuelled hypnotist Zoltan, Wild isn't asked to do much, and neither is Eles, who seems to be in it for some continental flavour. Francis is no Terence Fisher, but he has a good visual flair and he can construct a very good action sequence, such as the excellent finale here.
There's problems for sure; familiarity of Frankenstein movies in general hurts, the make up for the creature is very poor, one back screen projection sequence is very cheap even by low grade Hammer standards, while some of the Baron's reactions to situations don't bear up to logical scrutiny. It's not hard to understand why it's a very divisive movie amongst the Hammer Horror faithful. Yet its merits hold up well and it never once sags or becomes tiring. Cushing, Wilcox and that finale ensure it's a decent night in by the fire. 6.5/10
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