Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and ... See full summary »
Four privates romp their way through occupied Japan while on leave, finding a little romance and some laughs. After it's over they head to the front lines of the Korean War where brutality and death are constant.
Lt. Hazard, fresh out of West Point, arrives in Arizona Territory at hot, dusty, Fort Delivery. Appalled by the lax discipline of its troops, he restricts their privileges and subjects them to arduous drills. At the same time, he finds himself falling in love with Kitty, the wife of his commanding officer. This romance is complicated when his fiancee from Back East decides to pay a visit. Troubles with the local Indians, however, soon force Hazard to concentrate on his military duties which sometimes conflict with his sympathy for the Indians' cause.Written by
dinky-4 of Minneapolis
A Distant Trumpet is a Big Boring monotonous western
A Distant Trumpet is a Big Boring western with an excess of monotonous wide screen Calvary maneuvers. By the way I do so like a good western. In fact I appreciate some mediocre and cult "B" type westerns, but this movie was not even bad enough to be laughable; it was just boring.
It's like the director was making a big movie that was suitable for preschoolers; no sex, no realistic violence, no believable fighting, limited dialogue. In fact the plot and dialogue was so limited that preschoolers could have played the parts.
This was director Raoul Walsh's last film, he was 77 years old; maybe his age, health, mental and physical stamina had something to do with the lackluster result of this final production.
A Distant Trumpet totally lacks drama; screen writers/director seem to have purposely limited character development and dialogue. The Indians were just there; you did not fear or feel sorry for them. The Indian fights were not believable. The deaths and injuries were staged and not believable. Calvary life was not believable. The whole cast was stiff and unbelievable. Suzanne Pleshette is the only one who had a moment or two where the audience could connect. On the whole it was stiff and there was no connection. Throughout watching this production, you never forget that you are watching a movie. The director must have been allergic to close-ups. Even the bad whiskey dealer and prostitutes were mere caricatures. This is an extremely disappointing production.
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