Prudence resigns from her teaching position after being criticized for giving a student her copy of a romance novel. She sails for Italy, takes a job at a small bookstore in Rome, and meets... See full summary »
Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and ... See full summary »
Arthur Hawke works as a coal truck driver in Kentucky, he in the process trying to protect his widowed mother Sarah Hawke's property rights against his wealthy and cutthroat paternal uncles... See full summary »
Four privates romp their way through occupied Japan while on leave, finding a little romance and some laughs. After it's over they head to the front lines of the Korean War where brutality and death are constant.
Lt. Hazard, fresh out of West Point, arrives in Arizona Territory at hot, dusty, Fort Delivery. Appalled by the lax discipline of its troops, he restricts their privileges and subjects them to arduous drills. At the same time, he finds himself falling in love with Kitty, the wife of his commanding officer. This romance is complicated when his fiancee from Back East decides to pay a visit. Troubles with the local Indians, however, soon force Hazard to concentrate on his military duties which sometimes conflict with his sympathy for the Indians' cause.Written by
dinky-4 of Minneapolis
This was the final film directed by Raoul Walsh before his death on December 31, 1980 at the age of 93. See more »
I wish that there was some way that you could cut regulations and bring her out here. It sure would make things more tolerable. She could even sleep with me, just like at home.
2nd Lt. Matthew 'Matt' Hazard:
You can't bring your wife out here until you are a three striper.
Wife, sir? I ain't got none.
2nd Lt. Matthew 'Matt' Hazard:
Well, you can't take your girlfriend into the barracks, either!
She ain't no human girl. She's the best old blue-tick coonhound in Kentuck.
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The more I watch this, the more I like it. Great epic scenes with a huge cast of soldiers, Indians, and horses in real American West settings. The wide screen Panavision photography (with original release prints in IB Technicolor) is excellent. CGI may be fine, but I have yet to see anything surpass the look of hundreds of REAL men on horses in stunning REAL outdoor settings.
As for the story, while I thought the book was very good, the way the characters are handled in the film is better in some ways, and the ending of the film much more to my liking.
One thing they did have to tone down from the book was the sex element. It appears WB even adjusted one sequence after prints were made up. This appears in Reel Two, where Matt Hazard (Tro Donahue) and Kitty Mainwarring (Susan Pleshette) are in thr cave together overnight. With Pleshette's back to audience line (apparently later dubbed in) says "Good night Matt" and there is an ABRUPT cut to daytime and troops coming into the fort. 35mm and 16mm prints I have seen all contain this SLICED cut. And the original 35mm trailer containing the cave sequence does not contain the "good night" line". I believe that originally there was an embrace and kiss between Troy and Suzanne and a DISSOLVE to the next scene (or fade out & in).
In any event, as Westerns go, this has a good story and looks better all the time, especially wide screen.
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