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Circus World (1964)

Approved | | Drama , Western | 25 June 1964 (USA)
When circus proprietor Matt Masters decides to take his show on a European tour, it is beset by problems, while he searches for Lili, the mother of his adopted daughter, who disappeared years before.

Director:

Henry Hathaway

Writers:

Ben Hecht (screenplay), Julian Zimet (screenplay) (as Julian Halevy) | 4 more credits »
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Won 1 Golden Globe. Another 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Wayne ... Matt Masters
Claudia Cardinale ... Toni Alfredo
Rita Hayworth ... Lili Alfredo
Lloyd Nolan ... Cap Carson
Richard Conte ... Aldo Alfredo
John Smith ... Steve McCabe
Katharyna Katharyna ... Giovana
Katherine Kath Katherine Kath ... Hilda
Wanda Rotha Wanda Rotha ... Mrs. Schuman
Maggie Rennie Maggie Rennie ... Anna (as Maggie Macgrath)
Miles Malleson ... Billy Hennigan
José María Caffarel ... Barcelona's Mayor (as Jose Maria Cafarell)
Kay Walsh ... Flo Hunt
Francois Calepides Francois Calepides ... Ringmaster
Robert Cunningham Robert Cunningham ... Ringmaster
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Storyline

In the early years of the 20th century, Matt Masters takes his rambling Wild West Show to Europe. His decision is prompted by his desire to find Lili Alfredo, who disappeared fourteen years earlier following the death of her husband, The Flying Alfredo. At the time it was believed that Alfredo dived to his death deliberately when he realized his wife loved Matt and not him. Toni, a beautiful trapeze performer, raised by Matt is actually Lili's daughter, and she is in love with Steve McCabe, one of the stars on Matt's show. Doing their first show in Barcelona, aboard a ship, the ship keels over and Matt loses his show. Now broke, he leaves for Paris with Toni, Steve and his long-time friend, Cap Carson, to seek a job with Colonel Purdy's Wild West Show. But a year later, Matt has rebuilt his own show. First to be signed is a remarkable 12-year-old wire-walker named Giovana, and her guardian, Tojo the Clown, whose real named is Aldo Alfredo, formerly of the Flying Alfredos. Continuing ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

BIG SCREEN BIG BOX OFFICE SPECTACLE See more »

Genres:

Drama | Western

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 June 1964 (USA) See more »

Also Known As:

Henry Hathaway's Circus World See more »

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Box Office

Budget:

$9,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (35 mm prints)| 70 mm 6-Track (Westrex Recording System) (70 mm prints)

Color:

Color (Technicolor) (as Technicolor®)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

The film was made in Super Technirama-70, but was advertised on posters as being presented in Cinerama in those theatres showing that process. See more »

Goofs

Whilst the film is taking place in 1901, there are several mistakes with the European flags. One example is the Finnish flag that is seen in the movie. Finland didn't achieve independence (and the flag) until 1918. See more »

Quotes

Toni Alfredo: Kid? I am a Woman... with Sicilian blood in her. You ever hear of a vendetta?
See more »

Connections

Featured in Hep Taxi!: Claudia Cardinale See more »

Soundtracks

The Dying Cowboy (Oh, Bury Me Not on the Lone Prairie)
(uncredited)
Traditional
Arranged by Dimitri Tiomkin
See more »

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User Reviews

 
We Are Talking International Showtime
29 May 2005 | by bkoganbingSee all my reviews

I remember seeing this film as a lad on a family outing in Manhattan, topped off by my insistence that we have dinner at Jack Dempsey's Restaurant in Manhattan. Too bad the old champ wasn't there that day or it would have been a perfect Sunday.

Seeing it now on a formatted VHS the awesomeness of the spectacle during the scenes of the circus fires and the capsized ship in the harbor is really lost. It's quite an eyeful and should only be scene in theaters.

And the film would be revived, but we have a subdued John Wayne here and it's not for the better.

This was originally to be a Frank Capra film and Capra bowed out after creative differences with the Duke and some of the Duke's personal entourage. Read the Capra autobiography to find out exactly what they were, but they weren't fully fixed in the final product by director Henry Hathaway who later piloted the Duke to his Oscar in True Grit.

John Wayne was a guy who was usually very careful to give the public the Duke they expected. Even when he stretched his abilities it was done with a firm directorial hand.

We're asked to accept the Duke as a man who had an adulterous affair here. He also does not throw one punch in this entire film or fire a weapon in other than it being part of his Wild West Show. The people went to see John Wayne, but they didn't get their money's worth.

Pity because it would have been great to see John Wayne with Rita Hayworth in a great film. That couldn't have happened when they were younger because of Rita's contract with Columbia pictures and Wayne's personal boycotting of that studio because of his dislike for Harry Cohn. That story I won't go into.

Rita Hayworth who doesn't enter into the film until almost halfway through is fine as Wayne's lost love. She and Claudia Cardinale looked just fine in tights as trapeze artists. Lloyd Nolan as Wayne's sidekick is always good.

Richard Conte is Hayworth's brother-in-law and Cardinale's uncle. This fine actor is wasted here in a part that either was badly written or left on the cutting room floor.

John Smith was a Wayne protégé of sorts, Wayne gave him an early break in The High and the Mighty which he produced. Smith went on to star in the Laramie TV series and on completion of that he was cast opposite Cardinale, probably at Wayne's insistence. I remember always wondering what happened to him because he left show business shortly afterward. Then back in the Nineties I read he had died of cirrhosis of the liver. I guess you can fill in the blanks.

At the time Circus World came out, there was on television a prime time series called International Showtime. It was on Fridays at 8 pm. and it was set in a different city in Europe every week. Hosted by Don Ameche it featured the very best circus acts in the world. So did Circus World, but it certainly was no incentive for people to come out to see this when they could see the same thing at home. Also Paramount re-released Cecil B. DeMille's The Greatest Show on Earth to a brisk box office business at the same time Circus World came out.

So for all these reasons Circus World flopped and bankrupted producer Samuel Bronstein. Nevertheless if you're a circus fan you will enjoy seeing this. But it's not the Duke his fans have come to expect.


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