6.8/10
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Cheyenne Autumn (1964)

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4:34 | Trailer

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The Cheyenne, tired of broken U.S. government promises, head for their ancestral lands but a sympathetic cavalry officer is tasked to bring them back to their reservation.

Director:

John Ford

Writers:

Mari Sandoz (suggested by "Cheyenne Autumn"), James R. Webb (screenplay)
Reviews
Nominated for 1 Oscar. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Widmark ... Capt. Thomas Archer
Carroll Baker ... Deborah Wright
Karl Malden ... Capt. Wessels
Sal Mineo ... Red Shirt
Dolores del Rio ... Spanish Woman (as Dolores Del Rio)
Ricardo Montalban ... Little Wolf
Gilbert Roland ... Dull Knife
Arthur Kennedy ... Doc Holliday
James Stewart ... Wyatt Earp
Edward G. Robinson ... Secretary of the Interior Carl Schurz
Patrick Wayne ... 2nd Lt. Scott
Elizabeth Allen ... Guinevere Plantagenet
John Carradine ... Major Jeff Blair
Victor Jory ... Tall Tree
Mike Mazurki ... Senior First Sergeant
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Storyline

When the government agency fails to deliver even the meager supplies due by treaty to the proud Cheyenne tribe in their barren desert reserve, the starving Indians have taken more abuse than it's worth and break it too by embarking on a 1,500 miles journey back to their ancestral hunting grounds. US Cavalry Capt. Thomas Archer is charged with their retrieval, but during the hunt grows to respect their noble courage, and decides to help them. Written by KGF Vissers

Plot Summary | Add Synopsis

Taglines:

1,500 miles of heroism and incredible adventure! See more »

Genres:

Drama | History | Western

Certificate:

PG | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

15 October 1964 (UK) See more »

Also Known As:

The Long Flight See more »

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Box Office

Budget:

$4,200,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints)| Mono (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Final film of Carleton Young. See more »

Goofs

During the cavalry's first encounter with the Indians, the cannons are fired and there is absolutely no recoil. See more »

Quotes

Secretary of the Interior: Oh, Henry... you and I fought together at Gettysburg. You had never seen a Negro slave. All you ever knew was that they were human beings with the rights of human beings - and it was worth an arm to you.
See more »

Alternate Versions

Many television prints run 145 minutes, and omit the scene with James Stewart as Wyatt Earp. The video release is the full 154-minute version. See more »

Connections

Edited into Film socialisme (2010) See more »

Soundtracks

The Yellow Rose of Texas
(uncredited)
Traditional
Played on the banjo during the saloon
See more »

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User Reviews

 
The desperation of an artist, shown by a beautiful film
24 October 2002 | by pzanardoSee all my reviews

I have recently seen again "Cheyenne Autumn", and, perhaps, I finally got it. In my opinion, this film represents the desperation of an artist, the director John Ford. Forget the usual stunning beauty of the cinematography, the accuracy in filming action scenes, the care for poetic details, and all Ford's trade-mark style. We readily see that "Cheyenne Autumn" is completely different from any other western movie, and not only from the remainder of Ford's work.

Compared with other western movies, the main difference and innovation is that here any killed man is a REAL tragedy, that exhaustion, famine, cold, violence are REAL sufferings for the miserable people on the screen (not just for the Cheyennes, even for the whites). And all that is shown us by Ford ruthlessly, uncompromisingly. The fact that the director stands for the Indians is not as much innovative as it seems. All along his career Ford showed respect and sympathy for them. In the finale, just after an apparent happy ending, we have again violence, again a murder, again a distressed mother: we almost feel the same grief of hers. It is somewhat ironic that in the same year the film was made, 1964, the fashion of Italian western movies invaded the world of cinema, with furious, acrobatic gun-fights and hundreds of shot-dead people, like in a sort of funny game.

The movie is split into two parts by a comic interlude, the episode placed in Dodge City, which is actually a farce. I think that Ford wanted to pay a homage and bid his personal farewell to the old silent western-movies of the 1920s, when his career started. The funny situations are deliberately over the top: see the sensational, licentious joke, when Wyatt Earp (Jimmy Stewart) realizes that he actually had met the girl in Wichita... In any case, a somewhat gloomy mood permeates even this comic part. The main characters are all aged, grey-haired and seemingly life-weary. And the episode is introduced by a particularly brutal, cruel murder.

I think that "Cheyenne Autumn" is a beautiful film, with a good story, great visual beauties, and, in particular, an excellent acting by the whole cast. But it is tough for me to face John Ford's desperate vision. After all, what I most like in the movie is to see, once again, Ben Johnson and Harry Carey Jr on horse-back, in their blue uniforms (by the way: why are they uncredited?). They are both aged and bulkier compared with their look in the great Ford's western-epics of their youth. Never mind: they are almost dearer to me for this very reason...


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