The two directors meander through rural Mississippi in search of the spirit of local music and society. Highlights the heritage of William Faulkner, the role of Black churches, and gospel and blues music.
France, 1719. Four years after Louix XIV's death, Philippe d'Orleans is the regent for the nine-year-old Louis XIV. Philippe is a liberal and a libertine. His right-hand man, Dubois, an ... See full summary »
This gritty police drama shows us the underbelly of the Parisian drug trade. Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by ... See full summary »
This is a movie made of sketches ,connected by a very tenuous line: how (good ) luck can influence fate ; actually ,the segments have almost nothing in common; ,boxer Georges Carpentier and singer/actor Maurice Chevalier
are interviewed and tell how chance has helped them through their career .Claude Chabrol provides the prologue and the small scenes between the sketches .
1°) "the luck of the warrior" :almost an oxymoron! a warrior is not lucky when he has to go to war ;Claude Berri's antimilitarism is obvious in this reductio ad absurdum of the war concept .It will emerge again at the end of the sixties,with "Le Pistonné" .
It's the beginning of WW2;in France ,it is known as the "Drôle De Guerre" (= the Phoney War" )for , for a period of months ,nothing happened ;we follow a group of privates ,who spend the night on a farm yard ;although this is supposed to be a comedy ,there's a dark side to it: the first pictures show a dreary land,waiting for something to happen, then discouraged soldiers, already tired whereas their war has not even begun .
One of them falls asleep on duty and his gun is stolen ; he asks his pal to knock him out so that he can claim the Germans have already attacked; but the warrant officer is not so dumb ,and the private stands in big danger of being courtmartialed ;he will be saved ,so to speak,by the gong ,in the most unexpected way.
Well acted by Francis Blanche ,Roger Dumas and Hubert Deschamps.
2°) "an explosive luck" : a delightful spoof on gangsters movies by Bertrand Tavernier ;long scenes which reminds me of his mentor Melville's works, with a sense of humor to boot.
Lorrière ,a contract killer ,has been had ;his employer,Camilly ,paid him with forged banknotes; but ,out of the blue, the hitman suggests his boss play poker with him and his two associates;there's always someone cleverer than you ;the poker game begins : both partners do not know about Camilly's swindle : the latter must prevent Lorrière from losing if he does not want him to pay with his
It's a joy to see Michel Auclair's elegant nonchalance and Bernard Blier's tricky bonhomie ;both work wonders ...
3°) "Lucky luck " : the weakest link ; the story is laborious and drags on,in spite of Michel Piccoli ,out of place in a comedy ,and of Sophie Desmarets,a comic actress completely wasted here.
A journalist takes part in the competition organized by his paper under his wife's name ,for the magazine staff is not allowed to play .He (She) wins ;the ending is predictable and the part of the au pair girl is not fully exploited .
4°)"The luck of the fiances"
Marc wants to marry Hélène ,the butcher's daughter ,but his father ,a chemist does not want to hear of it ; undaunted,Marc tells his dad he's got his sweetheart pregnant ! The poor man is dumbfounded : it's not a matter of social classes , it's just that Hélène is none other than his own daughter; the plot recalls old folk song "Johnny be fair" remade as reggae " shame and scandal in the family "; in the end,everything will work out fine .
A little derivative ,but the good cast (Jacques Perrin,Stefania Sandrelli, Rellys, Paulette Dubost) redeems it ;one good moment: the vicar thinking that the father is still mourning his old aunt after the funeral.
Two good sketches and a not-so-bad one,you make it on the percentages.
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