Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Study of interracial marriage in the 1960's. A white divorcée falls in love with and marries an African-American man. When her ex-husband sues for custody of her child, arguing that a mixed... See full summary »
Jim is a compulsive gambler. He meets Marge at a boarding house and they get married. His gambling causes problems. When he runs into old flame Valerie, Marge leaves him. After a few years ... See full summary »
Alfred E. Green
Edward G. Robinson,
While searching for a small fortune of embezzled money, an ex-con, a small-time bandleader, his doting wife, and a kooky drifter find themselves being followed. Their chase takes them to ... See full summary »
Barry Sulivan is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner: the police are in his pocket and the local hoods are on his payroll.
George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes. While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle. The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures.Written by
Jeanne Baker <firstname.lastname@example.org>
When a film is based on a Harold Robbin's novel, it's pretty clear that the story isn't going to be about Amish furniture building or love among the hollyhocks. His brand of fiction is usually racy, tawdry and more than a little tasteless, yet readers lap it up, page after page, book after book and moviegoers have lapped at several films based on his work. Unfortunately, since it was 1964, not all the dirt hits the screen this time around. Peppard is the ne'er do well son of a chemical company president who, when his father drops dead in mid tongue-lashing, proceeds to boss everyone around and acquire, acquire, acquire! He doesn't just accumulate businesses and wealth, he also likes to collect women, starting with his own step-mother (Baker) a girl he dated prior to her defection to his father. He marries a sassy young flapper (Ashley), but soon enough is neglecting her, turning her into a clinging nag. He becomes involved in the aeronautics industry and the movie business as well, all the time burning out the men and women around him who do most of the dirty work. Eventually, it takes a wake up call or two to make him see what he's become, but it may be too late for him to change. Peppard gives a very one-note performance. He is great at the forceful, demanding and cold-hearted aspects of the character, but offers no warmth or buried kindness that can allow the audience to care what happens to him. (As the film progresses, he is outfitted with ridiculously made up eyebrows that give him an extra-fiendish look!) Ashley is extremely attractive in a variety of Edith Head concoctions and is the epitome of patience as she lives through Peppard's humiliations. Baker also looks smashing in a wide array of Head's silk robes and slinky evening dresses. Both women have incredibly distinct voices and deliver quite a few amusing and/or suggestive lines of dialogue in their own special way. Several solid and professional actors give decent portrayals as well. Erickson is appropriately tough and overbearing as Peppard's father, Ayres is low-key, but effective, as Peppard's put-upon attorney and Cummings is deliciously slick and sneaky as an opportunistic talent agent. Other good work comes from Ladd as a friendly father figure with a past, Balsam as a cocky studio head, Hyer as a hooker-turned-movie star and Totter as a kindly prostitute. The whole film is lavishly appointed, beautifully scored and full of eye-popping sets, costumes, cars and furnishings. What's ostensibly bad about the film (the tacky storyline, the tart, suggestive dialogue, the unbelievability of the situations) now makes it that much better for an audience that delights in flashy, showy Hollywood cheese. If it had been made only a couple of years later, it could have really been a whopping piece of sexploitation. As it stands, it's more of a tease than anything, but it holds definite rewards for those in the mood. Ladd (who clearly shows the ravages of drink and drugs in this film) would be dead of an overdose within a year. Ashley (who later married Peppard in real life) soon gave up her promising start for about 5 years and never really regained her momentum entirely.
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