Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Study of interracial marriage in the 1960's. A white divorcée falls in love with and marries an African-American man. When her ex-husband sues for custody of her child, arguing that a mixed... See full summary »
Jim is a compulsive gambler. He meets Marge at a boarding house and they get married. His gambling causes problems. When he runs into old flame Valerie, Marge leaves him. After a few years ... See full summary »
Alfred E. Green
Edward G. Robinson,
While searching for a small fortune of embezzled money, an ex-con, a small-time bandleader, his doting wife, and a kooky drifter find themselves being followed. Their chase takes them to ... See full summary »
George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes. While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle. The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures.Written by
Jeanne Baker <email@example.com>
At about the 2 hour point, Rena and studio stooge, David, are talking in her house. As the camera angles change, the background set switches between a bookcase and a railing behind them while the scene remains the same. See more »
Harold Robbins' potboiler comes to the screen, trying to be something it isn't. Main character Jonas Cord is supposedly based on Howard Hughes, but George Peppard doesn't really convince in this role. Perhaps you need more than just good looks to be a trash fiction hero. Alan Ladd, in his final role, plays Nevada Smith, older friend of Cord and washed-up movie star the role was played by Steve McQueen in a later film and is okay, but again, somehow not quite right. Carroll 'Baby Doll' Baker is Cord's predatory step-mother; Elizabeth Ashley, Leif Erickson, Robert Cummings, Lew Ayres, Audrey Totter and Martha Hyer also contribute.
Perhaps the problem with 'The Carpetbaggers' is that it is never in danger of progressing beyond a simmer and the film really needs more to do the novel justice. This aside, it is fairly enjoyable as a time-filler and has moments enough not to completely disappoint: it also pointed the way for the glossy US soap operas of the 1970s and 1980s.
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