Unscrupulous showgirl Flaxy Martin involves young attorney Walter Colby with mobster Hap Richie. A girl is murdered, with the evidence pointing to Flaxy, and Colby takes the rap and gets a ... See full summary »
Richard L. Bare
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Study of interracial marriage in the 1960's. A white divorcée falls in love with and marries an African-American man. When her ex-husband sues for custody of her child, arguing that a mixed... See full summary »
A newly wealthy English woman returns to Malaya to build a well for the villagers who helped her during war. Thinking back, she recalls the Australian man who made a great sacrifice to aid her and her fellow prisoners of war.
George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes. While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle. The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures.Written by
Jeanne Baker <email@example.com>
This was Alan Ladd's final film before his death on January 29, 1964 at the age of 50. See more »
When Jonas and Monica are touring the house, they walk into the master bedroom and she says, "adult playroom". Then the walk into the guest room supposedly, but you can tell it is the same door from a different angle, as the three thermostats are on the same side. See more »
Harold Robbins' potboiler comes to the screen, trying to be something it isn't. Main character Jonas Cord is supposedly based on Howard Hughes, but George Peppard doesn't really convince in this role. Perhaps you need more than just good looks to be a trash fiction hero. Alan Ladd, in his final role, plays Nevada Smith, older friend of Cord and washed-up movie star the role was played by Steve McQueen in a later film and is okay, but again, somehow not quite right. Carroll 'Baby Doll' Baker is Cord's predatory step-mother; Elizabeth Ashley, Leif Erickson, Robert Cummings, Lew Ayres, Audrey Totter and Martha Hyer also contribute.
Perhaps the problem with 'The Carpetbaggers' is that it is never in danger of progressing beyond a simmer and the film really needs more to do the novel justice. This aside, it is fairly enjoyable as a time-filler and has moments enough not to completely disappoint: it also pointed the way for the glossy US soap operas of the 1970s and 1980s.
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