The Americanization of Emily (1964)

An American naval officer's talent for living the good life in wartime is challenged when he falls in love and is sent on a dangerous mission.

Director:

Arthur Hiller

Writers:

Paddy Chayefsky (screenplay), William Bradford Huie (novel)

Stars:

James Garner, Julie Andrews, Melvyn Douglas

Nominated for 2 Oscars. Another 4 nominations.

Cast

Cast overview, first billed only:
James Garner	...	Lt. Commander Charles Edward Madison
Julie Andrews	...	Emily Barham
Melvyn Douglas	...	Admiral William Jessup
James Coburn	...	Lt. Commander Paul 'Bus' Cummings
Joyce Grenfell	...	Mrs. Barham
Edward Binns	...	Admiral Thomas Healy
Liz Fraser	...	Sheila
Keenan Wynn	...	Old Sailor
William Windom	...	Captain Harry Spaulding
John Crawford	...	Chief Petty Officer Paul Adams
Douglas Henderson	...	Captain Marvin Ellender
Edmon Ryan	...	Admiral Hoyle
Steve Franken	...	Young Sailor
Paul Newlan	...	General William Hallerton
Gary Cockrell	...	Lieutenant Victor Wade

Storyline

During the build-up to D-Day in 1944, the British found their island hosting many thousands of American soldiers who were "oversexed, overpaid, and over here". That's Charlie Madison exactly; he knows all the angles to make life as smooth and risk-free as possible for himself. But things become complicated when he falls for an English woman, and his commanding officer's nervous breakdown leads to Charlie being sent on a senseless and dangerous mission.

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Plot Keywords:

world war two | military | naval officer | london england | based on novel | 

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Taglines:

Julie's back- and look who's with her!

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Genres:

Comedy | Drama | War

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

27 October 1964 (USA)

Also Known As:

Emily

Filming Locations:

Dukes Avenue, Muswell Hill, London, England, UK

Box Office

Budget:

$2,700,000 (estimated)

Company Credits

Production Co:

Filmways Pictures

Technical Specs

Runtime:

115 min

Sound Mix:

Mono (Westrex Recording System) Stereo

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

James Garner utters the phrase "A man could get killed" several times during the movie, the title of the movie he would star in two years later.

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Goofs

One of the admirals says "it has to be a neap tide so we can unload... with a minimum of open beach to cross... D-Day has to be June 5th or 6th... won't repeat these tidal conditions for half a year, at least with a moon". Apparently the script writers did not understand the meaning of "neap" (low tide), because they describe a spring tide (which has the most extreme high and low water marks) in terms of beach conditions but call it a neap tide (which has the least difference between high and low water marks). The reason given is historically incorrect as well, as avoiding defensive obstacles placed by the Germans was the main reason. (See the Wikipedia article "Normandy landings".) Also, the tide cycle is linked to the moon, so the next full moon would have been accompanied by another spring (high) tide, no half-year wait needed.

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Quotes

[first lines]
Lt. Cmdr. Charles E. Madison: Hi, Harry. It'll only be a few moments, sir. Put that hand luggage in the automobile. Paul? Paul!
Chief Petty Officer Paul Adams: Yeah.
Lt. Cmdr. Charles E. Madison: Put the footlocker in the jeep. Everything else goes in the two-and-a-half. Unloading shouldn't take long, so you won't be more than a few minutes behind us. I'll see you back at the hotel. Harry. Is everything set at the hotel?
[Slaps driver on butt]
Female driver, unidentified: Hiya, Charlie.

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Crazy Credits

The three women that James Coburn sleeps with are collectively credited as "The Three Nameless Broads (in order of appearance)".

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Connections

Referenced in Quantum Leap: The Americanization of Machiko - August 4, 1953 (1989)

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Soundtracks

Emily
Music composed by Johnny Mandel
Lyrics by Johnny Mercer

User Reviews

Overlooked Gem Looks Angrily and Wittily at the American Military Propaganda Machine

Masterfully scripted by Paddy Chayefsky, this 1964 anti-war film is not quite a classic but nonetheless an unexpected treat and one that deserves resurrection by a new generation of viewers. Set in WWII London, the dark hearted plot focuses on Navy Lieutenant Commander Charles Madison, an especially notorious personal assistant to the mentally unstable Admiral William Jessup. Madison's job is to make sure Jessup gets anything he wants, and he has a warehouse full of contraband to back him up. Smug in his self-awareness about his cowardice, he meets Emily Barham, an English war widow who has lost her father and brother as well as her husband to the war. She is repulsed by Madison's manipulative agenda and cavalier materialism, and he finds her priggish and self-righteous. Needless to say, they fall in love. Complicating matters is Jessup's hare-brained scheme to ensure the first casualty of the D-Day invasion on Omaha Beach be a naval man. Without a glimmer of irony recognized, the admiral assigns Madison and his colleague "Buzz" Cummings to find the appropriate sailor and film his heroic death.

The sheer audacity of this task is a hallmark of Chayefsky's vitriolic style, and the film is full of his brittle, observant dialogue and sharply articulate soliloquies. You need an actor of consummate charm and cunning to play Madison effectively, and Garner responds by turning in one of the best performances of his long career. He shows not only his deft comedic touch but also a piercing insight into the integrity that can come from an acknowledged lack of courage. Squeezed in between her twin juggernauts of sugar, "Mary Poppins" and "The Sound of Music", Julie Andrews gives an intelligent, passionate performance as Emily that actually eclipses her acting in either mega-hit. The movie's title comes from her character's resistance to what she sees as cheapening her values by becoming more American. Together, they not only spark romantically but also trade speeches of barbed cynicism making Chayefsky's words fly off the page with supple dexterity.

Screen stalwart Melvyn Douglas is a terrifically befuddled blowhard as Jessup, while an especially energetic James Coburn aggressively turns "Buzz" into a monomaniacal yes-man. Joyce Grenfell is superb in her few scenes as Emily's no-nonsense mother. For interested baby boomers, you can even see future "Laugh-In" regulars Alan Sues and Judy Carne in bit parts, as well as the late Sharon Tate. If there is a weakness to the film, it comes from Arthur Hiller's pedestrian direction making the film more episodic than it should. The 2005 DVD package has a sharp print of the film and includes Hiller's informative commentary on an alternate track. He is understandably proud of the film since his subsequent work ("Love Story", "Making Love") has not even come close to the quality of this production. There is also a short, "Action on the Beach", which shows how the realistic filming of the D-Day scene was executed. It would be interesting to see this film in a double bill with Steven Spielberg's "Saving Private Ryan" to get alternative perspectives on the same event.