Police detective Tajima, tasked with tracking down stolen firearms, turns an underworld grudge into a blood-bath. Suzuki transforms a colorful pot-boiler into an on-target send-up of cultural colonialism and post-war greed.
During the 1930s, a teenager yearns for a Catholic girl, whose only desire is to reform his sinful tendencies. Hormones raging, the young man channels his unsatisfied lust into the only outlet available: savage, crazed violence.
Three schoolgirls are infatuated with a yakuza, Katsuta, of the Izu Clan. They meet another yakuza, `Diamond` Fuyu, of the rival Yoshida clan. As he gets a tattoo, two of the girls become ... See full summary »
Joe Shishido plays a tough guy with a secret agenda. His violent behavior comes to the attention of a yakuza boss who immediately recruits him. He soon tries to make a deal with a rival gang a starts a gang war. His real motivations are gradually revealed as we find out how this all ties in with the murder of a policeman shown at the beginning of the film.Written by
Fred Cabral <firstname.lastname@example.org>
This is one of the Yakuza movies made during the height of Seijun Suzuki's run at Nikkatsu Studios. It's not as abstract as the later stuff but it's just as brilliant. It can't be stressed enough that though he made "entertainment films" he did it with a vengeance. I've seen four of his films so far, ranging from 1958 to 1967, and they're all strikingly original. From this period 'Tokyo Drifter' seems to get more press than 'Youth of the Beast' (both star Jo Shisido) but I'll take this one. The colors and the composition of the wide-screen images draw you in, while the violence and the narrative jags keep you guessing. Highly recommended both for both its artistry and its energy, if you like gangster movies here's one for you.
The plot revolves around Jo, a tough ex-con with a mysterious past who shows up and deftly goes to work for rival Yakuza bosses. He immediately pits them against each other and starts raking in as much money as he can. However, it soon becomes clear that he has ulterior motives involving a string of call-girls operated by one of the bosses. Literally no one is safe when he starts clawing his way toward the center of the web.
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