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Tom Jones (1963)

Not Rated | | Adventure, Comedy, History | 27 June 1963 (UK)
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The romantic and chivalrous adventures of adopted bastard Tom Jones in 18th century England.

Director:

Tony Richardson

Writers:

John Osborne (screenplay), Henry Fielding (based on the novel by)
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Won 4 Oscars. Another 16 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
George Devine George Devine ... Squire Allworthy
Rachel Kempson ... Bridget Allworthy
Angela Baddeley ... Mrs. Wilkins
Joyce Redman ... Jenny Jones / Mrs. Waters
Jack MacGowran ... Partridge
Albert Finney ... Tom Jones
Diane Cilento ... Molly Seagrim
Wilfrid Lawson ... Black George
John Moffatt ... Square
Peter Bull ... Thwackum
David Warner ... Blifil
Freda Jackson ... Mrs. Seagrim
Redmond Phillips ... Lawyer Dowling
Hugh Griffith ... Squire Western
Susannah York ... Sophie Western
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Storyline

In eighteenth-century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the bastard son of one of Squire Allworthy's servants Jenny Jones and the local barber Partridge, was raised by virtuous Allworthy as his own after he sent Jenny away. Tom is randy, chasing anything in a skirt, he's having a sexual relationship on the sly with Molly Seagrim, the peasant daughter of Allworthy's gamekeeper. Tom is nonetheless kind-hearted and good-natured, he who is willing to defend that and those in which he believes. Blifil, on the other hand, is dour, and although outwardly pious, is cold-hearted and vengeful. Despite his randiness, Tom eventually falls in love with Sophie Western, who has just returned to the area after a few years abroad. Despite Sophie's love for Tom, Squire Western and his spinster sister would rather see Sophie marry Blifil rather than a bastard, who Western ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

The whole world loves Tom Jones! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM | Talent Agent

Country:

UK

Language:

English

Release Date:

27 June 1963 (UK) See more »

Also Known As:

Tom Jones See more »

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Box Office

Budget:

$1,000,000 (estimated)

Gross USA:

$37,600,000

Cumulative Worldwide Gross:

$50,000,000, 31 January 2000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Mono (Westrex Recording System)| Dolby Stereo (restored version) (as Dolby Stereo® in selected theatres)

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

One of only nine films in all of cinema history that have been nominated for five Oscars for their performances. The others are "Mrs. Miniver" (1942), "All About Eve" (1950), "From Here to Eternity" (1953), "On the Waterfront" (1954), "Peyton Place" (1957), "Bonnie and Clyde" (1967) "The Godfather, Part II" (1974) and "Network" (1976). This movie and "Peyton Place" are the only ones not to have received at least one win any of the acting categories. See more »

Goofs

In the hunt scene, you can clearly see that the riders are following on a path made by automobiles. The path has tire tracks all along. See more »

Quotes

[first lines]
Narrator: In the west of England there was once a Squire Allworthy. After several months in London he returns home.
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Crazy Credits

Opening credits: In the west of England there was once a Squire Allworthy. After several months in London he returned home. his sister, Bridget. his servants. after supper. "Mrs. Wilkins!" "aaah!" a baby! abandoned!!! "how did it get here?" "who can the mother be?" "Jenny Jones!" "who is the father Jenny?" "send for Partridge the barber!" Partridge the barber - the father? "I will deal with you later, sir!" "you must be sent away from this shame and degradation." "as for your child . . . . . " "I will bring him up as if he were my own son." "what will you call him brother?" "Tom Jones." of whom the opinion of all was that he was born to be hanged.

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Alternate Versions

For the 1989 reissue/restoration, the director trimmed approx. 7 minutes from the original. The initial home video release in 1981 on the Magnetic Video label contains the full-length original, which includes the following footage/dialogue cut from the reissue:
  • Tom running from Squire Western; Black George caught for killing sheep; trial
  • Sophie: "Oh, my little bird."
  • Molly being called a slut by her family: "You will have a bastard"
  • Tom/Sophie montage: Tom reading, eating nuts, picking berries, Tom and Sophie singing
  • Teachers fighting Tom; Tom going around tree; riding teacher
  • Tom's dream at the Inn
  • Sophie and Lady Fitzpatrick: Trimmed frames from laughing
  • Sophie and Lady Fitzpatrick: "What will you do in London?" "I have a friend..."
  • Sophie and Lady Fitzpatrick: "What about your friend?" "He is away for a few days. When he returns we shall make other arrangements."
  • Lady Bellaston and Lady Fitzpatrick: "The girl is obviously intoxicated and nothing less than ruin will content her."
  • Lady Bellaston muttering French phrase at dinner
  • Lady Bellaston: Dialog after "Are you afraid of the word 'rape'?"
  • Transition from Bellaston and Fellamore to Tom and Partridge
  • Transition from Tom and Partridge to "Rape"
  • Partridge and Tom: "She'll be the one to break it off"; transition to note; dialog: Narrator reads letter, Bellaston remarks to maid not to receive Tom Jones again.
  • "Scandal are the best sweeteners of tea."; transition
  • Partridge looking for people to uphold Tom's character (in the original he approaches one man, then two more - scene of him approaching the first man was cut)
  • No reprise of song for Tom as he's going to be hanged
  • End titles (re-done for reissue with restoration credits and extended music by 15 seconds, while cutting some of the original company credits)
See more »

Connections

Featured in Precious Images (1986) See more »

Soundtracks

Gavotte
(uncredited)
Composer unknown
Arranged by Douglas Gamley
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Frequently Asked Questions

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User Reviews

 
it gives the sense of the joy of living through the movie media at the highest level
10 April 1999 | by bernie-42See all my reviews

"Tom Jones" is a movie adaptation of the classic Eighteenth century novel masterpiece of Henry Fielding made up by the greatest contemporary British playwriter John Osborne and directed by one of the main film directors of English Free Cinema, Tony Richardson. This film came at end of this golden period of the English Cinema in the sixties and it is the highest moment of this cinema. "Tom Jones" shows in the person of Tom Jones (the masterly Albert Finney) the point of view of the angry young man looking to the stupidity and the hypocrisies of the Eighteenth century society, which resembles our times. It is not at all just a funny film, even if some scenes are extremely funny and are some classics in the history of cinema, famous like the one in which Tom eating a rich supper with his woman is really looking like eating her with the eyes. "Tom Jones" is the adventurous hystory of a modern hero, who finally conquers his true love, after any kind of trouble. This is an highly cinematographic film, e.g. the movement of the camera gives itself the idea of happiness in the scenes of love in the country of Tom and Sophie (the beautiful and greatest Susannah York), the drama of the situation in which Tom risk to be hanged or the funniness in the bawdy scenes in the inn. In the beginning the film even outlines the beginning of the complex story using even the style of the silent cinema...Tom Jones/Albert Finney even also speaks directly to the public of the film reaching with his greatest originality an extreme level of funniness and pleasantness. The photography of the film resembles with its colours and views the landscapes of English painting of the Eighteenth century, like in Hogarth's pictures. The fox hunting scene is pictorially beautiful. The actors are all the best of the English theatre of that period and playing at their best, where theatre is so important and lively in England. Concluding, a film that gives the sense of the joy of living through the movie media at the highest level, it's a must to see even only this film, a masterpiece of the forgotten but greatest English film director, Tony Richardson. As Giancarlo Grazzini, the greatest Italian cinematographic critic of that time, wrote, it was the best film presented at the Film Festival of Venice, worthy of winning also the Golden Lion there and not just the Oscars!


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