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Om Tilla (1963)

The first film of a trilogy about mentally challenged children. "Om Tilla" is some kind of dream version on how mentally challenged can function in society.


Arne Skouen


Arne Skouen


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Credited cast:
Eva Henning ... Maria
Toralv Maurstad Toralv Maurstad ... Barnepsykologen
Wenche Foss Wenche Foss ... Chief Physician
Synne Skouen Synne Skouen ... Tilla (as Synne)
Egil Lorck Egil Lorck
Tore Foss Tore Foss
Erik Gløersen Erik Gløersen
Johannes Eckhoff
Bonne Gauguin Bonne Gauguin
Pål Virik Pål Virik
Roy Bjørnstad Roy Bjørnstad
Kai Remlow Kai Remlow ... (as Kai Remlov)
Rest of cast listed alphabetically:
Anne Marie Dale Anne Marie Dale ... (as Anne-Mari Dale)
Mette Lange-Nielsen Mette Lange-Nielsen


The first film of a trilogy about mentally challenged children. "Om Tilla" is some kind of dream version on how mentally challenged can function in society.

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Release Date:

12 September 1963 (Norway) See more »

Also Known As:

About Tilla See more »

Company Credits

Production Co:

ARA-Film A/S See more »
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User Reviews

Why Tilla has gone mute
18 February 2015 | by OJTSee all my reviews

Reknown Norwegain writer and director Arne Skouens eleventh feature film "Om Tilla" (About Tilla) is the first of his troubled children trilogy, and is made in remembrance to the child psychologist Nic Wahl.

On a fresh autumn day Ivar goes to the Botanic Gardens in Oslo to meet Maria, which is mother of a mute girl, young Tilla. Ivar is a child psychologist and was approached by Maria with her daughter eight months ago, but didn't return. Now Ivar wants to get Tilla back in treatment. He manages to persuade Maria to send her daughter back in treatment, which soon gives results, after which toys Tilla picks to play with.

Synne Skouen, daughter of the director Arne Skouen plays Tilla, one of Skouen's favorite actors Toralv Maurstad plays the psychiatrist. We also meet Eva Henning (the mother) and Norwegian film diva Wenche Foss in other leading roles.

The film is very silent, which is great due to the theme. No dramatic and annoying music is used, which I think is a bold move by Skouen, though also for some strange.

Skouen was very concerned with children with special needs, and also had a disabled child himself. He engaged himself in children's care for years, and when he had made his last film 7 years after this (An-Magritt) he tended over to be a writer once again, eagerly writing commentaries in the newspapers about children's rights.

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