Sodrásban

a group of young people. a summer day near Tisza. games, dialogues, the short stories of high school graduates and students. and the death of one from them. the old grandmother of Gabi. his friends. the pain. and force of images of ordinary things. a bread on water. the regrets and remorse, arguments, memories, different social classes. and the future who becomes the only reality. after decades, the film of Istvan Gaal remains admirable for its delicate, touching poetry. the poetry of images of simple objects.like frame and bones of story. the poetry of the boat near the bread . the poetry of certitudes of adults. in same measure, the second great virtue is the performance of young actors. especially Sandor Csikor. and, not doubt, the special, unique Hungarian spirit reflected in the admirable manner.