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The Girl Who Knew Too Much (1963)

La ragazza che sapeva troppo (original title)
Not Rated | | Comedy, Mystery, Romance | 20 May 1964 (USA)
A mystery novel-loving American tourist witnesses a murder in Rome, and soon finds herself and her suitor caught up in a series of killings.

Director:

Mario Bava

Writers:

Ennio De Concini (story and screenplay) (as Ennio de' Concini), Sergio Corbucci (story and screenplay) (as Enzo Corbucci) | 4 more credits »
Reviews
1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
John Saxon ... Dr. Marcello Bassi
Letícia Román ... Nora Davis / Nora Drowson (as Leticia Roman)
Valentina Cortese ... Laura Craven-Torrani
Titti Tomaino Titti Tomaino ... Inspector
Luigi Bonos Luigi Bonos ... Albergo Stelletta
Milo Quesada ... De Vico / Paccini
Robert Buchanan Robert Buchanan ... Dr. Alessi
Marta Melocco ... Murder Victim
Gustavo De Nardo ... Dr. Facchetti
Lucia Modugno ... Nurse
Giovanni Di Benedetto Giovanni Di Benedetto ... Professor Torrani (as Gianni De Benedetto)
Franco Moruzzi Franco Moruzzi ... Policeman (as Franco Morici)
Virginia Doro Virginia Doro ... Torrani's Maid
Dante DiPaolo Dante DiPaolo ... Andrea Landini (as Dante Di Paolo)
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Storyline

Nora is a young tourist traveling through Rome which takes a sudden turn when she witnesses a murder by a serial killer that the police have sought for years for the so-called Alphabet Killings, and Nora soon finds herself in way-over-her-head trouble when the police want her cooperation to catch the killer while the mystery killer soon targets her for his next victim. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Look deep into "THE EVIL EYE" to the twilight world of the Supernatural! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy

Language:

Italian | English

Release Date:

20 May 1964 (USA) See more »

Also Known As:

The Girl Who Knew Too Much See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Regarded as the seminal work in what became known as the "Giallo" genre. See more »

Quotes

Nora Davis: [into the phone] Oh mother, murders don't just happen like that here.
See more »

Alternate Versions

AIP released this as The Evil Eye, a recut version with material used just in some countries out of Italy. See more »

Connections

Referenced in Fear, Panic & Censorship (2000) See more »

Soundtracks

Furore
(Appears in the Italian version)
Sung by Adriano Celentano
Written and Composed by Adriano Celentano (as Adicel) and Paolo Vivarelli (as Vivarelli)
Published by Edizioni Nazionalmusic and Disco Jolly
See more »

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User Reviews

 
Bava creates the giallo by way of Hitchcock
10 August 2011 | by Red-BarracudaSee all my reviews

With The Girl Who Knew Too Much, director Mario Bava planted the seed that would evolve into the sub-genre known as the giallo. In fairness, it doesn't much resemble the films that would typify this genre in the 70's. Bava's next film Blood and Black Lace would truly be the definitive template film that would inform the giallo. But there is no doubting that some of the recurring motives and ideas of this most Italian film genre began here.

As the title suggests, The Girl Who Knew Too Much is indebted to Alfred Hitchcock more than anything else. The idea of an innocent thrust into the middle of a deadly situation is one Hitchcock used many times. While the romantic sub-plot and moments of light comedy also recall his work. These latter two elements are mainly what mark out TGWKTM as a cross-over film, as they are certainly not features of giallo cinema as it would develop. But the light, comic approach is one of the things that make this one of the most playful and upbeat films that Mario Bava ever made. Unlike his three other gialli, this film actually has sympathetic characters. While it doesn't have the melodramatic tendencies that those ensemble movies had either. The approach is much more restrained, with a fairly simple amateur sleuth narrative being the framework. Completely different too is the black and white aesthetic. Bava is of course rightfully famous for his masterful use of colour but in this film he shows that his use of light and contrast is just as impressive. This is a very handsome looking movie. Letícia Román adds to this aesthetic too of course, seeing as she is a very beautiful woman. Visually, this is a terrific film. Story-wise, it's certainly less interesting. The fairly mechanical plot is sufficient enough in taking us from A to B but it isn't particularly memorable. But it does introduce some of the motives that would go on to form an important part of giallo cinema such as the convoluted mystery, the bizarre reasoning for murder and the importance of optical subjectivity as well as the focus on style over substance.

The Girl Who Knew Too Much is a film that should be seen by fans of Mario Bava as well as dedicated students of all things giallo. It's a film that is as breezy and light as the genre ever got. It's a lovely and beautiful looking flick from a master film-maker.


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