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La rabbia (1963)

Not Rated | | Documentary | 13 April 1963 (Italy)
"La Rabbia" employs documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, ... See full summary »

Directors:

Giovanni Guareschi (as Giovannino Guareschi), Pier Paolo Pasolini

Writers:

Giovanni Guareschi (commentary), Pier Paolo Pasolini (commentary)
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Cast

Credited cast:
Giorgio Bassani Giorgio Bassani ... Poetry Narrator - Part one (voice)
Renato Guttuso Renato Guttuso ... Prose Narrator - Part one (voice)
Gigi Artuso Gigi Artuso ... Narrator - Part two (voice)
Carlo Romano ... Narrator - Part two (voice)
Rest of cast listed alphabetically:
Charles de Gaulle ... Self (archive footage)
Dwight D. Eisenhower ... Self (archive footage)
Yuri Gagarin ... Self (archive footage)
Ava Gardner ... Self (archive footage)
Nikita Khrushchev ... Self (archive footage)
V.I. Lenin ... Self (archive footage)
Sophia Loren ... Self (archive footage)
Marilyn Monroe ... Self (archive footage)
Pope John XXIII Pope John XXIII ... Self (archive footage)
Pope Paul VI ... Self (archive footage)
Pope Pius XII ... Self (archive footage)
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Storyline

"La Rabbia" employs documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation," and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's... Written by Karen Welbourn <welbourn@erols.com>

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

Not Rated | See all certifications »
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Details

Country:

Italy

Language:

Italian

Release Date:

13 April 1963 (Italy) See more »

Also Known As:

A Raiva See more »

Company Credits

Production Co:

Opus Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(2 parts)

Sound Mix:

Mono

Color:

Black and White | Color (inserts only)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Connections

Referenced in Entre deux inconnus (2015) See more »

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User Reviews

 
Dredfully dreary documentary on the post WWII years
19 May 2008 | by vernettoSee all my reviews

Pasolini stages such a dismal representation of the world and its sufferings, that even the liberation of Cuba from the dictatorship of Batista is represented in sadness and mourning. I would have expected a bit more dept from this brilliant director. His representation of Marxism is religious to say the least. Guareschi too is disappointing, he is way too biased - he defends the atrocities of France in Vietnam and Algeria! - and his traditional sense of humor is almost absent. Some footage is quite interesting from historical point of view, but I would suggest to watch without audio, the commentator is simply too dull and rhetorical.


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