6.8/10
3,632
51 user 12 critic

The Prize (1963)

As the Nobel Prize winners come to Stockholm to receive their awards, their lives are overturned and perturbed in various ways.

Director:

Mark Robson

Writers:

Ernest Lehman (screenplay), Irving Wallace (novel)
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Won 1 Golden Globe. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Paul Newman ... Andrew Craig
Edward G. Robinson ... Dr. Max Stratman
Elke Sommer ... Inger Lisa Andersson
Diane Baker ... Emily Stratman
Micheline Presle ... Dr. Denise Marceau
Gérard Oury ... Dr. Claude Marceau (as Gerard Oury)
Sergio Fantoni ... Dr. Carlo Farelli
Kevin McCarthy ... Dr. John Garrett
Leo G. Carroll ... Count Bertil Jacobsson
Sacha Pitoëff ... Daranyi (as Sacha Pitoeff)
Jacqueline Beer ... Monique Souvir
John Wengraf ... Hans Eckhart
Don Dubbins ... Ivar Cramer
Virginia Christine ... Mrs. Bergh
Rudolph Anders Rudolph Anders ... Mr. Rolfe Bergh
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Storyline

For some reason, this year's Nobel prize in literature has been awarded to the young author Andrew Craig, who seems to be more interested in women and drinking than writing. Another laureate is Dr. Max Stratman, the famous German-American physicist who comes to Stockholm for the award ceremony with his young and beautiful niece Emily. The Foreign Department also assigns him an assistant during his stay, Miss Andersson. Craig soon notices that Dr. Stratman is acting strangely. The second time they meet, Dr. Stratman does not even recognize him. Craig begins to investigate. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Meet the Man Who Has Everything! He's got the world at his feet...a girl in his arms...and a knife at his back. It's Paul Newman finding Stockholm a nice place to love in...a tough place to stay alive in. See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | French | German | Swedish | Italian

Release Date:

25 December 1963 (USA) See more »

Also Known As:

El premio See more »

Company Credits

Production Co:

Roxbury Productions Inc. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The Pan American jet on which Paul Newman arrives, a Boeing 707 (N704PA 'Jet Clipper Defiance') was an actual Pan Am aircraft, and it was the jet that delivered The Beatles to New York on their American debut on February 7, 1964. See more »

Goofs

In the scene after the Elke Sommer character has been abducted, the Paul Newman character is leaving his hotel to go to the awards rehearsal at the concert hall and the John Wengraf character gets into the back seat of the limousine with Paul Newman, John Wengraf is seated on Newman's left. Yet when they arrive at the concert hall, Newman exits the car on the left alone, and in order to do this he and John Wengraf would have had to switch places in the back seat. See more »

Quotes

Inger Lisa Andersen: I thought icebergs never melt.
Andrew Craig: I thought Sweden was neutral.
See more »

Crazy Credits

Opening credits share the screen with newscasters from various countries announcing the Nobel prize headlines. See more »

Connections

References The 39 Steps (1935) See more »

Soundtracks

Winter Garden
(uncredited)
Music by Harold Gelman
See more »

Frequently Asked Questions

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User Reviews

 
Lehman's screenplay is deft, amusing, witty and a bit of a rip-off...
8 December 2006 | by DoylenfSee all my reviews

Ernest Lehman can be excused for borrowing liberally from himself in the course of writing the script for THE PRIZE, since he gets us hooked by setting up the tale with some very clever exposition in the first fifteen minutes by having waiters delivering a special guest tray to the various recipients of the Nobel Prize in Sweden at the Grand Hotel, with a sense of irony and humor in their shenanigans.

The sophisticated wit and humor doesn't stop there. As soon as the character of PAUL NEWMAN (as Andrew Craig, literature winner) is introduced, we're treated to another version of the sort of character Cary Grant played in NORTH BY NORTHWEST--a man who suddenly finds himself in a situation where he becomes the target of assassins who want him out of the way because he knows too much.

The similarities don't end there. There's a nudist convention that Newman has to barge into in order to escape two killers and he tries in vain to get them apprehended by the authorities. (Sound familiar?) There are people who refuse to believe his story of an attempted kill where he was thrown off a balcony and into the sea by a man trying to knife him to death. Another familiar moment occurs when he revisits a murder scene with the police--but the scene has been cleaned up and a woman denies that there was ever a dead body on the floor or that they owned a TV set (which is missing), as Newman claims.

Furthermore, every situation Newman is thrown into has its humorous side, mostly because of some stinging one-liners he gets to bandy around at the bad guys, like the waiter who only hours before is the one who threw him off the balcony. "How are the crepe suzettes? Is there a body in there?" Lehman keeps the yarn spinning along in dangerous territory, but always with a good deal of humor in the words and actions of DIANE BAKER (as a mysterious woman), EDWARD G. ROBINSON (in a pivotal role as a Nobel scientist replaced by a double), KEVIN McCARTHY, LEO G. CARROLL and others.

Handsomely photographed in Widescreen and color, it's no NORTH BY NORTHWEST as far as the suspense is concerned, but it is almost as diverting despite some mighty far-fetched escapes that only a writer as talented as Ernest Lehman could manage to make credible. Never read the Irving Wallace book, but I'm sure the crisp dialog can be attributed to Lehman, not Wallace, since it sounds so much like NORTH BY NORTHWEST at certain moments.

Nice jobs by PAUL NEWMAN and ELKE SUMMER as the foreign assistant assigned to be his aid during his stay in Stockholm and with whom, of course, he becomes romantically involved. Newman's breezy performance is full of cocky ease and he's clearly at home in this sort of caper.


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