After his girl leaves him for someone else, Herbert gets really depressed and starts searching for a job. He finally finds one in a big house which is inhabited by many, many women. Can he ... See full summary »
Mute bellboy Stanley works at the luxurious Fontainebleau Hotel in Miami Beach. In spite of being a serviceable and friendly employee, the clumsy Stanley gets successively into trouble with his mistakes.
When he flunks out of med school, Jerome Littlefield goes to work as an orderly in a private rest home where he wreaks havoc for everyone concerned. Dr. Jean Howard is the exasperated head ... See full summary »
When a star comedian dies, his comedy team, decides to train a nobody to fill the shoes of the Star in a big TV show (a Patsy). But the man they choose, bellboy Stanley Belt, cant do ... See full summary »
Sidney Pythias is a bumbling janitor picked up by cop Mike Damon as a teenage gang member worth saving from delinquency. With Damon's help, Sidney works his way through the Police Academy to become a cop too.
While fishing on a San Diego beach, Gerald Clamson catches ... a sea diver! Even more weird, the "fish" resembles him. The man, who is not (yet) dead, reveals his secret to the peaceful ... See full summary »
Harold J. Stone,
Susan Bay Nimoy
Nerd. Milquetoast. Klutz. These are just three of the many undesirable words that can be used to describe Professor Julius Kelp. But all that changes when the chemistry expert invents a potion that transforms him into a suave, sexy chick magnet, whom Julius aptly names Buddy Love. Unfortunately, there's one side effect: Buddy can't control when he'll change back into Julius, an event that always happens at inopportune times. How will Julius/Buddy resolve his Jekyll-and-Hyde dilemma?Written by
At the Purple Pit the house band consists of a piano, bass, drums, and flute. Yet at various times in the film we hear a vibraphone, sax, trumpet, trombone, and congas all playing during Buddy's performances. See more »
I know what you're thinking: Where's he been all my life? Right?
No, not exactly.
And that you're happy with the way I handled those three goons, right? Well, normally I would've belted them, but I didn't want to muss myself all up and have you dance with a sloppy guy. Dig?
Well then, you restrained yourself just for little old me.
I knew you'd appreciate it. I do a lot of nice things.
Well, is that really the case or is this line 27-a for young college girls?
Aww, now you see? You went and ...
[...] See more »
False ending which first displays, "That's all, folks!!" then inserts a NOT in between "that's" and "all," then a 5-minute story epilogue goes to the actual ending, which is credited as "The beginning." The actor credits are done as curtain calls, with each performer bowing behind their name. See more »
Further to my earlier review, I would wholeheartedly endorse the opinion of other reviewers that the original Lewis movie is superior - vastly superior - to the crass Eddie Murphy re-make. Lewis's subtle points about Buddy Love (whom, I am unsurprised to learn, he loathed) are utterly lost in the Murphy version. If Lewis's movie fails as popular entertainment, it is because it makes extraordinary intellectual demands on its audience, requiring them to see beyond the surface glamour of Buddy Love to the moral rottenness and egotism within. Strangely enough, however, Buddy Love is not without pathos. There is enough of Kelp in him, together with the shakiness of his chemically-induced persona, to lend a faint suggestion of vulnerability. Perhaps even this is part of his satanic charm (he literally charms the pants off the college Principal). It is no coincidence that his calling-card number is "That Old Black Magic"!
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