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McLintock! (1963)

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Wealthy rancher G.W. McLintock uses his power and influence in the territory to keep the peace between farmers, ranchers, land-grabbers, Indians and corrupt government officials.


Andrew V. McLaglen


James Edward Grant (original screenplay)
2,732 ( 87)
2 wins. See more awards »



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Cast overview, first billed only:
John Wayne ... George Washington 'G.W.' McLintock
Maureen O'Hara ... Katherine Gilhooley McLintock
Patrick Wayne ... Devlin Warren
Stefanie Powers ... Rebecca 'Becky' McLintock
Jack Kruschen ... Jake Birnbaum
Chill Wills ... Drago
Yvonne De Carlo ... Louise Warren
Jerry Van Dyke ... Matt Douglas Jr.
Edgar Buchanan ... Bunny Dull
Bruce Cabot ... Ben Sage
Perry Lopez ... Davey Elk
Strother Martin ... Agard
Gordon Jones ... Matt Douglas
Robert Lowery ... Gov. Cuthbert H. Humphrey
Hank Worden ... Curly Fletcher


George Washington McLintock, "GW" to friends and foes alike, is a cattle baron and the richest man in the territory. He anxiously awaits the return of his daughter Becky who has been away at school for the last two years. He's also surprised to see that his wife Katherine has also returned. She had left him some years before without really explaining what he had done, but she does make the point of saying that she's returned to take their daughter back to the State Capitol with her. GW is highly respected by everyone around him, including the farmers who are pouring into the territories with free grants of land and the Indians who are under threat of being relocated to another reservation. Between his wife, his headstrong daughter, the crooked land agent and the thieving government Indian agent, GW tries to keep the peace and do what is best for everyone. Written by garykmcd

Plot Summary | Add Synopsis


WELCOME TO McLINTOCK! POPULATION: the most brawling, roistering adventurers in the West! And McLintock the man owns McLintock the town -- every lock, every stock and every beauty -- but one...and that starts the battle that puts the town in the mud! See more »


Passed | See all certifications »

Parents Guide:

View content advisory »






Release Date:

13 November 1963 (USA) See more »

Also Known As:

McLintock See more »


Box Office


$2,000,000 (estimated)

Gross USA:

See more on IMDbPro »

Company Credits

Production Co:

Batjac Productions See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Westrex Recording System)



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


During the pheasant hunting segment John Wayne was shooting real birdshot. The pheasants were released on cue so that he knew when and where to shoot. See more »


During the fight at the mudslide, when Agard is in the mining cart headed for the slide, the cable pulling the mining cart is clearly visible. See more »


Drago: Drago: That divorce business. Is that whatcha get when you paya woman not to live with ya?
George Washington McLintock: G.W.: That's about it.
Drago: Drago: Some women I know'd be worth it.
See more »

Crazy Credits

There are no end credits at the end of the movie. See more »

Alternate Versions

"John Wayne Estate Authorized Edition" of McLintock is digitally remastered and in stereo. Contains the original music, background music, musical scenes, and dialogue (these are dubbed out in some other home video versions of the film). See more »


Version of Kate: The Taming of the Shrew (2004) See more »


Words & Music by 'By' Dunham
See more »

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User Reviews

Recipe: Part Horse Opera, Part Horace Greely, Part Mack Sennett, 1 Funny Bone. Simmer 2 Hours. Drain False Pretensions. Have Served by Director with Fine Cast.
13 December 2007 | by redryan64See all my reviews

The Tales of the American West and the Western Film are two inseparable American Cultural Institutions. They are highly visible and closely related to each other. Both are exaggerated and distorted versions of American History. Whatever the images we harbor in the deep recesses of our widdle heads, they are colored by people like Zane Gray, Louis Lamour, William S. Hart and John Ford.

Then of course, we have so many types of western film as we have other kinds of genres of stories. So some films are historically correct, some are strictly fairy tale material. So we even have Western Farce, a subject well represented by today's 'victim', the John Wayne starring vehicle, McLINTOCK (Batjac Productions/United Artists, 1963).

Being an original screenplay, the story is a custom fit for the Duke, whose Batjac Productions made the picture and released it through United Artists. Long on characters and characterizations, the picture uses the slimmest plot as just a reason for presenting political postulates and providing its audience with many a reason to laugh.

OUR STORY………..It is to be a Great Celebration of the 4th of July in the Western Town of McLintock. Having been named after its local patriarch, the Multi-millionaire Rancher/Farmer/Miner, one George Washington McLintock (the Duke), the town and its people have prospered.

Added to the mix we have the return from College "back East" of G.W.'s daughter, Becky McLintock (Stephanie Powers-Woo, woo, woo, woo!). Her affections were being sought after by College Boy and Glee Club Varsity Letterman, Matt Douglas, Jr. (Jerry Van Dyke), the son of U.S. Government Agent, Matt Douglas (Gordon Jones). Jerry Van Dyke does as fine a job as ever in doing comic relief. He gives a Stan Laurelesque interpretation to his character.* The biggest development in the whole chain of happenings is the return of G.W.'s estranged firebrand of a wife, Katherine Gilhooley McLintock (Maureen O'Hara), who has a real love-hate relationship with G.W. The climax of the film has an open air domestic "quarrel" that takes Mrs. Mc down the streets of the town, clad in (strictly non-revealing) foundation under-garments, with G.W. in pursuit, ah, it's true love! Many who have viewed both films agree that this was a sort of obvious attempt to recreate the high spot in John Ford's THE QUIET MAN (Argosy Pictures/Republic Pictures Corporation, 1952), in which both the Duke and Maureen O'Hara also coincidentally were the belligerents.

In the viewing of McLINTOCK!, we witness a real hybrid of a production. As we have mentioned before, we have a particular sort of Horse Opera here. It is a true farce. Unlike Mel Brooks' BLAZING SADDLES (Crossbow Productions/ Warner Brothers, 1974), which was a spoof of the Western, the John Wayne film was a farce, all the way. If anything, we can describe it as a sort of "latter day" or modern, if you will, Mack Sennett Comedy. And it is with confidence we offer this thesis, for it seems to have all the same elements; namely, a central hero having some unusual difficulties, family troubles, bad business conditions and high expectations of his ability to weather the "storm." In the process of getting through the 2 hours, the Duke manages to instruct us on what his ideas were on the way things are and should be.

If you notice, any Governmental Representative is seen with a dim view, not only of his intent, but also of the underlying intent and outright necessity of whatever their function is. He is obviously a Conservative, a believer in self help. His is truly a far cry from the Cradle to Grave, creeping socialism that we see so much today.

One thing we do know about Mr. Marion Michael Morrison was his generosity and his loyalty toward his friends, both old and new. In McLINTOCK! We had a film that could have gotten by with a much smaller cast. But if they did that, so many of Mr. Wayne's friends wouldn't have a pay day. Subsequently we have people like the Director Andrew V. McLaglen (Victor's son) and a host of actors such as: Patrick Wayne, Stephanie Powers, Jack Kruschen, Chill Wills, Yvonne De Carlo, Jerry Van Dyke, Edgar Buchanan, Bruce Cabot, Perry Lopez, Strother Martin, Gordon Jones, Robert Lowery, Hank Worden, Michael Pate, Leo Gordon, Bob Steele and many others.

Whatever the classification, McLINTOCK! is worth taking in. It's never dull, and certainly won't be hard to watch, that's for sure. And we dare you not to have your full share of laughs before it's over!

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