When a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works. His disappearance stumps the ... See full summary »
A space probe is infiltrated by alien beings and then crashes on a remote Pacific atoll. A group planning to build a resort hotel land on the island and discover it to be inhabited by giant... See full summary »
During WWII, a human heart taken from a certain lab in Europe (Dr. Frankenstein's) is kept in a Japanese lab, when it gets exposed to the radiation of the bombing of Hiroshima. The heart ... See full summary »
A journalist is saved by a giant submarine captained by a 200 year old man who takes him to an underwater paradise city where no one ages. That's when monsters and mutants sent by the captain's rival, a 200 year old scientist, attack.
King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
An experimental lab animal called a gargantua escapes from his captors and is suspected to be the creature that is killing people all over the countryside. But when the gargantua from the ... See full summary »
A group of pleasure-seeking young people are stranded on a mysterious island when their boat crashes. One by one they succumb to the lure of the deadly mushrooms.Written by
Steve Hill <email@example.com>
The giant mushrooms that the characters eat were created by the special effects crew from rice pastry. The rice pastry would be picked up from a nearby shop that specialized in it, and taken to the studio where it was shaped and cooked. Because Kumi Mizuno was so well liked, they would add sugar and other flavors. See more »
At minute 12:40 the members of the crew rescue Yoshida from topside in the rain and spray. When the crew gets him below deck all of them are dry. See more »
The opening credits of the Japanese version are on animated sails. See more »
When I first saw this film on a local late-night horror movie show, it was the late 1960s and our family hadn't yet purchased a color TV. Growing up with films and TV shows produced and viewed in B&W made me sensitive to the unique qualities of this medium, particularly the way in which it focuses the viewer's attention on the quality and play of light. It is this element of "Matango" which most impressed methe cold ethereal light of the fog-shrouded forest covered in great lumps of pallid fungus sent a real shiver down my back. Although I had cut my teeth on such midnight horror movies, this one actually stole away my sleep for a couple nights!
Over time I had lost track of this film. The Saturday Night horror show became a thing of the past and no one seemed interested in rebroadcasting these old films. Then very recently, on a lark, I asked our local (independent) video rental place if they had this film in their data base, and Lo! there it was, available on VHS. They ordered it, held it for me, I rented it and prepared to sit down and be scared by it again after a hiatus of over 25 years.
Imagine my surprise to find that the film is in color! In color, it didn't have the same impact at all as it did when I watched it on our B&W TV back home. Quickly, before it got too deep into the story, I changed all the settings on my TV to a nicely balanced black and white, and WOW! There it was, the scariness, the moodiness, the mystery, and the visual subtleties which make it a very nice piece of art.
Really, folksyou gotta see this film in black and white to really appreciate how well it was photographed, lighted, constructed and dressed. This is quite a gem of a film, but one which should have been in black and white to begin with.
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