Count Karnstein sends for a doctor to help his sick daughter Laura. Her nurse believes she is possessed by the spirit of a dead ancestor, Carmilla. A young woman becomes intrigued by the ...
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At the end of the 19th century, in a little Italian village by a lake an old statue is recovered. Soon a series of crimes start and the superstitious people of the village believe that the ... See full summary »
A journalist takes a bet that he can spend the night in a haunted castle on All Hallow's Eve. During his stay, he bears witness to the castle's gruesome past coming to life before him, and falls in with a beautiful female ghost.
When Castle Dracula is exorcised by the Monsignor, it accidentally brings the Count back from the dead. Dracula follows the Monsignor back to his hometown, preying on the holy man's beautiful niece and her friends.
Janet is a young student at a private school; her nights are troubled by horrible dreams in which she sees her mother, who is in fact locked in an insane asylum, haunting her. Expelled ... See full summary »
Three distinguished English gentlemen accidentally resurrect Count Dracula, killing a disciple of his in process. The Count seeks to avenge his dead servant, by making the trio die in the hands of their own children.
A lonely and bitter young heiress - jealous of her cousin's engagement to another woman - becomes dangerously obsessed with legends surrounding a vampire ancestor, who supposedly murdered the young brides of the man she loved.
Count Karnstein sends for a doctor to help his sick daughter Laura. Her nurse believes she is possessed by the spirit of a dead ancestor, Carmilla. A young woman becomes intrigued by the mysterious deaths surrounding Laura after a carriage accident outside the castle forces her to stay. They become close friends until Laura becomes convinced the spirit of Carmilla is forcing her to kill.Written by
Randy Van Ort <firstname.lastname@example.org>
Terror In The Crypt' happily boasts two gloriously-breasted starlets, and the looming, venerable presence of Christopher Lee, whose sepulchral-toned, Count Ludwig adds much verisimilitude to the overtly familiar Karnstein family misfortunes. 'Terror In The Crypt' is a noirish Gothic melodrama, with prolific scrivener, Ernesto Gastaldi doing yet another riff on, Sheridan le Fanu's 'Camilla'. While the film has an admittedly lugubrious pace, this actually sits quite happily against the musty, high contrast, cobwebbed theatrics. Whereas, Jesus Franco will have even less plot, a surfeit of orgiastic flesh and interminable half-hour zooms; DP's, Guiseppe Aquari & Julio Ortas have clearly taken care over the breathtaking compositions; with their effective use of chiaroscuro lighting, and some impressive, yet wonderfully subtle tracking shots. The masters are equally atmospheric, allowing one a splendid gander at all the finely honed Gothic baroque, Camillo Mastrocinque has so meticulously generated. I was also most impressed by, Carlo Savina's spare, eerie, piano-led score, placing the viewer dead centre within all these macabre machinations. To the uninitiated this all might seem a tad ponderous, but to those of us who appreciate a ripping yarn; where buxom, kohl-eyed lovelies cower beneath their vampiric violators, and bloody maleficence creeps beyond the boundaries of death, 'Terror In The Crypt' is a timeless classic deserving of a little more kudos than it currently generates.
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