The Big City (1963)

Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.

Director:

Satyajit Ray

Writers:

Narendranath Mitra (from a story by), Satyajit Ray (scenario)

Stars:

Anil Chatterjee, Madhabi Mukherjee, Jaya Bachchan

Top Rated Indian Movies #14 | 1 win & 1 nomination.

Cast

Complete credited cast:
Anil Chatterjee	...	Subrata Mazumdar
Madhabi Mukherjee	...	Arati Mazumder
Jaya Bachchan	...	Bani (as Jaya Bhaduri)
Haren Chatterjee	...	Priyogopal (Subrata's father)
Sefalika Devi	...	Sarojini (Subrata's Mother) (as Shephalika Devi)
Prasenjit Sarkar	...	Pintu
Haradhan Bannerjee	...	Himangshu Mukherjee (as Haradhan Banerjee)
Vicky Redwood	...	Edith
Rest of cast listed alphabetically:
Bibhuti Banerjee	...	(as Bibhuti Bandyopadhyay)
Manisha Chakraborty
Tapan Chatterjee	...	(as Tapen Chattopadhyay)
Arun Chowdhury
Pritish Dey
Shailen Ganguli
Shyamal Ghoshal

Storyline

Calcutta in the early 1960's. Bhambal supports his wife Arati, his parents, and two children. Money is tight, so Arati goes to work. She's successful and enjoys it, but this untraditional step throws the household into chaos: her in-laws initiate a "cold war" of silence and disapproval. When Bhambal loses his job, her working is essential; he loses self respect, and the gulf between them widens. Arati questions whether to keep her daughter in school. At work, her friendship with Edith, a Euro-Indian who smokes, swears, and uses lipstick, brings Arati close to impertinence with her genial boss. Her job is imperiled, she acts impulsively, and who will understand her actions?

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Plot Keywords:

lipstick | money | kolkata india | tradition versus modernity | toy gun | 

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Genres:

Drama

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Certificate:

Not Rated

Details

Country:

India

Language:

Bengali English

Release Date:

27 September 1963 (India)

Also Known As:

The Big City: Mahanagar

Filming Locations:

Calcutta, West Bengal, India

Company Credits

Production Co:

R.D.Banshal & Co.

Technical Specs

Runtime:

136 min 122 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Jaya Bhaduri's only film with Satyajit Ray.

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Goofs

When Priyogopal (Subrata's father) goes to visit his student Anupam Roychowdhury to ask for money he is shown having a conversation with Anupam in his office. When he is explaining his circumstance the camera shows him only sitting on a chair with his walking stick. In the very next scene when all the three characters are shown (third one being Anupam's wife ) the top of his walking stick has changed direction. The round bit on top was towards the right before and is turned to the left in the very next scene.

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Quotes

Arati: [to her husband] You would not recognize me if you saw me at work.

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Connections

Remade as Humkadam (1980)

User Reviews

Thoughtful Filmmaking From One of India's Masters

How does Satyajit Ray manage to evoke such a set of complex emotions with such simplicity? Madhabi Mukherjee delivers a amazingly nuanced, sensitive performance in this tale of personal empowerment. In an odd way, the story of personal triumph reminds me a bit of American films in the 1930s, when the hero struggled against odds and won; this time its 1960's India, at a time when women began to assert themselves simply because men failed to move with the times. I can just imagine a modern Hollywood remake of this film, with sex situations aplenty, lots of screaming and perhaps a stabbing or two! This worthy film about a struggling family attempting to maintain tradition in the face of modernity is subtle, and if you stick with it, involving. That said, this two different DVD versions I could find were hard to stick with, -the subtitles often did not match the picture, were often poorly translated, and the print itself, like so many Satyajit Ray films available in the U.S., looks like an old television print, grainy and too often dark, missing the subtle shades that typify his work. Whoever is in charge of this important film legacy needs to get on the stick and provide the clarity Ray deserves. Invest in the future of this important world filmmaker!