Homer Smith, an unemployed construction worker heading out west, stops at a remote farm in the desert to get water when his car overheats. The farm is being worked by a group of East European Catholic nuns, headed by the strict Mother Maria, who believes that Homer has been sent by God to build a much-needed church in the desert...Written by
Christopher J. Thompson <firstname.lastname@example.org>
Shot on-location in Arizona in only fourteen days. See more »
After Homer Smith leaves the nuns the first time, they have to walk to Mass - apparently a fair distance. When he returns, he picks them up in his car as they are walking to Mass but they still arrive just as Mass is beginning. They should have arrived much earlier as they thought they were walking the entire distance. See more »
Man donating chandelier:
[turns to see a Mexican couple with a beautiful chandelier]
Yes? Oh my. Well, we're going to have to find someplace special for this. Thank you.
[wife takes his hand in gratitude]
Well, take this to Mother Maria.
[turns to Ashton]
Everybody wants to give.
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At the end of the film, the word "Amen" is seen, rather than "The End". See more »
If someone were to ask me for the 'perfect' movie, this is the one I would choose. Not 'greatest', not 'best', but something better... an utterly flawless film. It's lean and spare, set in the desert and filmed in B&W. Both the humor and the drama are low-key, but are all the more moving for that, presented without clutter. It uses a small cast to create a rich diversity of characters from different religions, races, and cultures. But these differences aren't what creates the drama, they are simply a wonderful part of the background texture. The conflict lies purely in the clash of personalities between two good people, Homer Smith (Sidney Poitier) and Mother Maria (Lilia Skala), both with their own personal flaws and virtues.
I really can't begin to describe how much I like "Lilies of the Field". It could have been one of those awful preachy 'message' films, but it isn't. It is purely fine story telling. Which isn't to say you can't find meaning in it. Far from it. For me, I've always been taken by how the common human goodness of all the characters is brought out without being dependent on, or sacrificing, their many differences of religion or culture. They remain the same people at the end of the movie as at the beginning, except they're all a bit better, a bit less flawed. And that's pretty close to perfection.
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