Elderly Mrs. Ross lives alone in her meager flat, scraping by on government assistance even as she claims to have great wealth. After finding stolen money she is victimized, making it necessary to find her support in her declining years.
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
The story of three teenaged tearaways Johnnie, Bill and Bert who find themselves at odds with society. Following a brush with the law they have a chance meeting with a local choirmaster who offers them a way of making good.
Jane, a young French woman, pregnant and unmarried, takes a room in a seedy London boarding house, which is inhabited by an assortment of misfits. She considers getting an abortion, but is unhappy with this solution. She falls into a relationship with Toby, a struggling young writer who lives on the first floor. Eventually she comes to like her odd room, and makes friends with all the strange people in the house. But she still faces two problems: what to do with her baby, and what to do with Toby.Written by
John Oswalt <firstname.lastname@example.org>
About one hour into the film, when Toby and Jane are sitting on her bed talking, a shadow of the boom microphone is visible moving on the wall behind them. See more »
Oh, you English are so funny about smells. You hate garlic, you're frightened of perfume unless it's very cheap and very nasty, but you *love* the smell of fish and chips. First time I went out for a walk with an Englishman, he took us two miles out of our way so I could smell a fish and chips shop.
Oh, well, you see it's a very powerful aphrodisiac for an Englishman. Before the war, most children were conceived on Friday nights.
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One of the best of the so-called "kitchen-sink" films, THE L-SHAPED ROOM is nearly perfect. The set decoration probably deserved an award for the way it evokes, with poetry, the incredibly realistic environment of a down-and-out London rooming house. As many commentators have noted, this film avoids clichés and gives us real-seeming characters played by gifted actors. There is not a single weak link in the cast, with Tom Bell, Avis Bunnage, Brock Peters, Cicely Courtneige among others providing so many memorable moments. At the heart of the film is Leslie Caron in an award-nominated performance that is not likely to be forgotten by anyone who sees it. This is a performance that elicits true feeling, done with a kind of invisible artistry, so it seems completely real. Bryan Forbes, one of Britain's finest directors of the period, paces the film well, relying on Caron and others to fill what may have been longueurs with true meaning. The only criticism is the use of the Brahms First Piano Concerto in the soundtrack. The surging romanticism, while appealing in itself, doesn't fit very well with the mood of the film, apart from a couple of quiet scenes. It's certainly not a big problem, only it seems an odd musical choice. A deeply affecting, unforgettable film.
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